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THE LAUREL AND THE IVY

Name: THE LAUREL AND THE IVY
Author: Robert Kee
ISBN: 0-241-12858-7

THE STORY OF CHARLES STEWART PARNELL AND IRISH NATIONALISM

by Robert Kee ‧ RELEASE DATE: Sept. 1, 1994

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This study of Irish leader Charles Stewart Parnell's impact on Irish nationalism and on the course of British politics traverses an already well-traveled road. Prolific English historian Kee (1939: In the Shadow of War, 1984, etc.) brings to Irish history a careful, unimpassioned view, which is useful in tracing the evolution of Parnell, an Anglo-Irish Protestant landlord with little early interest in politics, into a leader who embodied and directed the nationalism of the Irish people. After entering the House of Commons at the age of 28, Parnell quickly brought the art of obstruction to new heights, became chairman of the Home Rule party within six years, and within five more had brought the Liberal Government to the point of introducing a Home Rule Bill that would have been considered ``no more than a rhetorical chimera'' when he first entered Parliament. In doing so, he helped turn out two British governments, one Liberal and one Conservative, and, by maneuvering the Liberals into adopting Home Rule, helped to turn out a third. He did so by a remarkably skillful use of parliamentary procedure, by creating the first disciplined democratic party of modern times, and by maneuvering to hold the balance of power between the Liberals and the Conservatives. He remains, however, as Kee notes, an elusive figure, and it is hard now to understand why British Prime Minister William Gladstone called Parnell the most remarkable man he had ever met. His fall was as swift as his rise; he was cited as co- respondent in the divorce petition of one of his colleagues, Willie O'Shea, and the scandal compromised the course of Irish nationalism for the next generation. Parnell died in 1891 at the age of 45, just four months after he had married his mistress. A careful, considered, judicious biography, but uninspired and oh, so long.

Pub Date: Sept. 1, 1994

ISBN: 0-241-12858-7

Page Count: 688

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1994

Categories:

GENERAL NONFICTION

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.