Those who appreciated Caparo’s illustrations in the original edition will also like this sequel and will probably overlook...
In this sequel to the original story about the famous reindeer with a glowing red nose, Rudolph loses his special power and then gains it back after helping find two lost bunnies.
In the month before Christmas, Rudolph suffers a crisis of confidence and loses the red glow that has made him the leader of Santa’s reindeer team. He worries and whines, concentrating on his loss, finally deciding to run away and find a new home in a different country. Deep in a forest at night, he finds a group of distressed rabbits who have lost two of their babies. Rudolph helps them, finding bunnies Donnie and Doris, and in focusing on the troubles of others, he regains his confidence as well as the glow on his nose. He flies home in time for Christmas Eve deliveries, including a special package dropped from Santa’s sleigh for his new rabbit friends. Caparo’s handsome illustrations in an oversize format are in the same style as his work in the recent edition of the original story, Rudolph the Red-Nosed Reindeer (2014). The color palette focuses on deep midnight blues with swirls of pink sparkles around Santa and the reindeer symbolizing their magical powers. The long, rhyming text, however, is dated in tone and has a grating, singsong quality and some rhymes that fall flat. It’s unfortunate that the text is not of the same quality as the illustrations, design, and high-quality paper.
Those who appreciated Caparo’s illustrations in the original edition will also like this sequel and will probably overlook the unsuccessful story. (Picture book. 3-7)Pub Date: Sept. 22, 2015
ISBN: 978-1-4424-7499-4
Page Count: 40
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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