An action-packed ride that is sometimes slowed by tedious dialogue.



A private investigator, tasked with protecting a drug cartel snitch, discovers a complex criminal operation in this sixth installment of a series. 

Jake Travis is hired to babysit Alejandro Vizcarro, a bookkeeper for Sergio Flores, the head of a Mexican drug cartel. The plan is to smuggle Vizcarro—who is prepared to exchange incriminating information for safe passage and protection for himself and his wife, Martina—into the United States. But when the detective collects Vizcarro, he realizes he’s also bringing the bookkeeper’s two daughters and Joe, his 3-year-old nephew. Joe is now Vizcarro’s ward after Flores had his brother killed along with his wife and three other children. Soon, Vizcarro and Martina are murdered, and the children mysteriously disappear—Jake feels compelled to dig deeper and see if he can uncover any information that leads to their discovery. While canvassing the neighborhood, he meets Stephen Cole, a former attorney—he once represented Sean Wright, a dirty cop who he believes was killed by drug cartel assassins. But the further Jake investigates Vizcarro’s murder, the less it makes sense—Cole believes the victim was an unlikely candidate for a cartel bookkeeper and suspects that Martina wasn’t really his wife. Not only is it possible that the deaths of Wright and Vizcarro are connected, but also that the latter’s murder isn’t even the end game for Flores. Jake is confronted by the morbid possibility that the vanished children, or at least one of them, are the real prize. Lane (Naked We Came, 2017, etc.) once again showcases Jake, a protagonist perfectly suited (if somewhat formulaically) to the genre. Hardened by grim experience, he is also capable of both moral principle and emotional vulnerability. The plot is exceeding complex—one could quibble it demands a lot from readers in search of pulp detective fiction—but it never devolves into convolution. Unfortunately, the dialogue’s staccato banter quickly becomes more exhausting than clever: “ ‘What did you do?’ ‘Robbed a bank.’ ‘You did not,’ she said. ‘Stole the sheriff’s horse.’ ‘Seriously.’ ‘Shot a wabbit?’ ”

An action-packed ride that is sometimes slowed by tedious dialogue.

Pub Date: N/A


Page Count: 408

Publisher: Mason Alley Publishing

Review Posted Online: Oct. 5, 2018

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in white society, is shedding her fur coat. Jude, so black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her white persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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More Hallmarkiana, from a shameless expert in the genre.


High-stakes weepmeister Sparks (A Walk to Remember, 1999, etc.) opts for a happy ending his fourth time out. His writing has improved—though it's still the equivalent of paint-by-numbers—and he makes use this time of at least a vestige of credible psychology.

That vestige involves the deep dark secret—it has something to do with his father's death when son Taylor was nine—that haunts kind, good 36-year-old local contractor Taylor McAden and makes him withdraw from relationships whenever they start getting serious enough to maybe get permanent. He's done this twice before, and now he does it again with pretty and sweet single mother Denise Holton, age 29, who's moved from Atlanta to Taylor's town of Edenton, North Carolina, in order to devote her time more fully to training her four-year-old son Kyle to overcome the peculiar impediment he has that keeps him from achieving normal language acquisition. Okay? When Denise has a car accident in a bad storm, she's rescued by volunteer fireman Taylor—who also rescues little Kyle after he wanders away from his injured mom in the storm. Love blooms in the weeks that follow—until Taylor suddenly begins putting on the brakes. What is it that holds him back, when there just isn't any question but that he loves Denise and vice versa-not to mention that he's "great" with Kyle, just like a father? It will require a couple of near-death experiences (as fireman Taylor bravely risks his life to save others); emotional steadiness from the intelligent, good, true Denise; and the terrible death of a dear and devoted friend before Taylor will come to the point at last of confiding to Denise the terrible memory of how his father died—and the guilt that's been its legacy to Taylor. The psychological dam broken, love will at last be able to flow.

More Hallmarkiana, from a shameless expert in the genre.

Pub Date: Sept. 19, 2000

ISBN: 0-446-52550-2

Page Count: 352

Publisher: N/A

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 2000

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