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Cooler Than Blood

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In Lane’s (The Second Letter, 2014) second noir mystery, Floridian detective Jacob “Jake” Travis looks for a missing girl with a troubled past.
Billy Ray Coleman is on the run. He’s got a fortune he stole from his meth-dealing brother, and leaves a trail of assaults in his wake. But when he arrives in Florida and attempts to beat up on teenage runaway Jenny, things don’t go as planned—a recurring theme in dark, noirish mysteries such as this one. After Jenny kills him in self-defense, she disappears, as does the stolen drug money. Because 18-year-old Jenny is legally an adult and has a history of running away, the cops don’t make her disappearance a priority, so her aunt, Susan, turns to Jake to find her. Jake wants to keep his distance from Susan—there’s a powerful attraction between them, and he’s committed to another woman—but he takes the case, even though his usual job is finding lost boats, not lost women. He and his allies trace leads from Florida to Ohio, tangling with everything from hostile local law enforcement to organized crime. Occasional chapters from Jenny’s point of view help flesh out her active character (she’s no damsel in distress), although it comes at the cost of revealing some of the mystery. Still, Lane delivers a confident, engaging Florida tale with a cast of intriguing characters. Jake has a wide range of skilled friends, including a genius delinquent and an FBI contact from a previous case, but there’s no deus ex machina to help him solve the mystery. This ex-military protagonist, in the tradition of the noir detective, is a hard man with a soft side, and readers may find themselves nodding along as a polite gangster notes, “Do you always slip so…effortlessly into violence?” However, one of the book’s most suspenseful moments is when Jake weighs how ruthless he’s willing to be to protect those he loves. Although Jake occasionally delivers over-the-top lines (“I’m going nowhere and getting there fast”), his sense of humor makes him an appealing guide to the seamy side.

A solid, entertaining mystery.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Mason Alley Publishing

Review Posted Online: Aug. 20, 2014

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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