Depressing, inventive, and marvelous—a thought-provoking path to feeling awful.
A bleak, relentless collection of short stories from Lopez (Asunder, 2010, etc.).
Are you a good person or a bad person? Don't ask Lopez: the “good people” in this collection are misogynists, abusers, victims, narcissists, and depressives. Not a lot of faith in humanity here. “Everything is always going to hell,” one character says. Another narrator—trying to comprehend and care about the death of his neighbor’s son—says, “I want to say that anyone can seem like a good person, that everyone in this neighborhood seems like a good person, but that certainly can’t be the case.” Another narrator, contemplating suicide, confesses, “I almost never prepare a meal for myself as I am not worth the bother most of the time.” The humor, when it comes, is dark—as in “Essentials,” which consists entirely of a narrator telling you what he won’t tell you. Is all life sadness and absence then? Few of these formally inventive, first-person stories gather much tension in a conventional sense. Instead, Lopez picks a subject (defenestration or massages or suicide or the movie Margaret) and circles it, his sentences like particles in a cyclic accelerator; the reader waits, nervously, for collision. “Remember to have a vision,” Lopez writes in the imperative-based last story, “How to Direct a Major Motion Picture,” and he certainly has a vision: this story collection is a comprehensive mosaic of misery. Read it in one sitting and you’ll feel out of breath. Is it exhausting? Yes, but that’s the point: you don’t read a book like this for variety. Instead, you read it to stumble into the sunlight afterward, trying to convince yourself you’re a good person, but man oh man, you’re not so sure.
Depressing, inventive, and marvelous—a thought-provoking path to feeling awful.Pub Date: Jan. 12, 2016
ISBN: 978-1-942658-02-3
Page Count: 192
Publisher: Bellevue Literary Press
Review Posted Online: Sept. 23, 2015
Kirkus Reviews Issue: Oct. 1, 2015
BOOK REVIEW
PROFILES
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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