Fans of Lopez will understand what he’s up to; others may be surprised to discover the novel, like a slug in the couple’s...
A daring theatrical novel from Lopez (Good People, 2016, etc.), set in a kitchen, with only three characters.
Act I begins with a man and his wife (both unnamed) reading the newspaper at a table. Act II involves the man and his friend (also unnamed) drinking whiskey. Act III involves all three at dinner. They speak but often avoid matters at hand—or are any matters precisely at hand? Either way, no plot develops. Instead, each new remark, however mundane, leads to digressions, about slugs in the driveway or paraphilia or the country Georgia—expository/informational digressions that replicate the experience of clicking around Wikipedia articles. Yet how to explain the strange pull of this novel? It’s risk-taking work that, despite its realistic milieu, never approaches realism; nobody speaks in phrases that sound natural. Eventually a secret or two is revealed, and as the book rolls to its end, the work of Pinter comes to mind, with elliptical menace lurking in the corners. But despite the theatrical conceit, this is a novel, one that flirts with ideas of fiction writing. “Everything open to interpretation and misinterpretation,” Lopez writes at one point. Elsewhere: “The same thing all over again.” Then: “So what is another question.” Lopez is crafting the responses of critics, confident they’d be missing the point; through the banality, startling statements emerge, e.g., “Sometimes he cannot understand the woman he married.” In moments like this, the novel both embodies and reveals meaninglessness. The title phrase—a reference to submarine terminology—is revealing: “All back full.” Familiar words can seem strange together the longer you look at them.
Fans of Lopez will understand what he’s up to; others may be surprised to discover the novel, like a slug in the couple’s driveway, has inched its way into their heads and hearts.Pub Date: Feb. 14, 2017
ISBN: 978-1-941088-67-8
Page Count: 216
Publisher: Dzanc
Review Posted Online: Nov. 6, 2016
Kirkus Reviews Issue: Nov. 15, 2016
BOOK REVIEW
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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