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THE ANNOTATED TREASURE ISLAND

A sumptuous edition of a masterpiece that will captivate both youngsters and older fans interested in the history and lore...

The classic tale of pirates and their buried loot is enriched with explanatory footnotes, diagrams and illustrations in this fascinating annotated edition.

First published in 1883, Stevenson’s Treasure Island narrates the adventures of Jim Hawkins, an English teenager who in the 1750s discovers a map to a fabulous pirate treasure buried on a desert island; the ensuing voyage embroils him in a mutiny, fierce musket-and-cutlass fights and a twisty relationship with the pirate Long John Silver, a charismatic figure of noble courage and dastardly treachery. Featuring taut suspense, brisk action, an iconic coming-of-age theme and colorful characters, Treasure Island became the template for later genre pieces such as Pirates of the Caribbean. Barker-Benfield’s engaging introduction and comprehensive margin notes and sidebars explain many of the story’s details to an audience less familiar with age-of-sail conventions. Much of the narrative hinges on the handling of sailing ships, and he provides detailed, interesting accounts of their construction, rigging, navigation, protocols and jargon, which help explicate important plot points. He also delves into the evolving culture of the early-modern Atlantic-Caribbean region and the history, lifestyles and indispensable accouterments of pirates: Silver’s loquacious parrot is probably an African gray, we learn, while the refrain “yo ho ho, and a bottle of rum” prompts a disquisition on that beverage’s production and neurological effects. Intriguing conundrums and inconsistencies in the text are teased out; latitude and longitude figures put Treasure Island at one of four improbably cold locales, the author notes, while Silver’s life history makes his claimed age of 50 years a tad optimistic. Throughout, Barker-Benfield’s notes adroitly translate the richer flights of buccaneer lingo into respectable English. (“I’m a poor old hulk on a lee shore” is a pirate’s “dramatic way of saying he is nearing the end of his life.”) There are also detailed maps of the Caribbean, reproductions of portraits of real-life pirates and sea captains and meticulously detailed diagrams of ships, cannons and nautical equipment; these, along with Rhead’s atmospheric drawings of scenes from the story, add an exquisite visual dimension to the original text.

A sumptuous edition of a masterpiece that will captivate both youngsters and older fans interested in the history and lore underpinning Stevenson’s yarn.

Pub Date: Oct. 7, 2014

ISBN: 978-1937075019

Page Count: 304

Publisher: Fine & Kahn

Review Posted Online: Aug. 18, 2014

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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