A rich book for scholars and fans of Lowell’s poetry.
A collection of the renowned poet’s personal writing.
At the heart of this hodgepodge of Lowell’s work is what editors Axelrod and Kosc call “My Autobiography,” mostly previously unpublished childhood memories written in the 1950s followed by writings about his severe bipolar disorder. Taken together, the editors write, “they tell a powerful story of a soul in pain and a writer searching, with courage and discipline, for a way forward,” and they provided the source material for Lowell’s influential 1959 poetry collection, Life Studies. Highly detailed, lucid, and precise, Lowell’s writing is witty, sarcastic, and revealing about himself, his parents, his beloved grandfather, and others in his orbit. The well-off Bostonian, as the editors put it, wanted “to both mock and mourn his family, his social world, himself.” Some of the writing is tinged with the elitist racism of his clan, a “declining yet still powerful white” family who “insistently disrespect[ed] people who are not ‘of the right sort.’ ” At 8, he recalls, he was “thick-witted, narcissistic, thuggish,” and poet and biographer relative “Amy Lowell was never a welcome subject in our household.” These memoirs end in 1937, followed by a section called “Crisis and Aftermath,” highlighted by “The Balanced Aquarium,” one of the longest pieces, what the editors call “postmodern psychomachy, an invocation of his internal turmoil.” In many pieces, Lowell recounts his mental torments and hospitalization. Composed from 1959 to 1977, the section titled “A Life Among Writers” is a collection of perceptive, image-laced essays, some never published before, of authors he knew: Pound, Eliot, and his “dear old friend” Randall Jarrell. Visiting elderly Tennessee poet Allen Tate, Lowell writes, “Here, like the battered Confederacy, he still lived and was history.” Robert Frost was the “best strictly metered poet in our history.” An acquaintance of Lowell’s, Sylvia Path wrote the “most perfect and powerful poems…among the melancholy triumphs of twentieth-century imagination.”
A rich book for scholars and fans of Lowell’s poetry.Pub Date: Aug. 2, 2022
ISBN: 978-0-374-25892-4
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 9, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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