We might call it a metaphysical primer that is, of all things, fun to read. Or we might just call it quality.
The author of Zen and the Art of Motorcycle Maintenance returns with a hodgepodge collection on the slippery concept of quality.
Assembled by Pirsig’s wife, Wendy, after the author’s death in 2017, the book distills the metaphysical essence of the generation-defining Zen and the Art of Motorcycle Maintenance and its lesser-known sequel, Lila, into an accessible philosophical handbook. Excerpting from Pirsig’s letters, interviews, presentations, and books, the text seeks to offer clarity on the concept of quality—even though it “cannot be defined.” To philosophically inclined readers for whom this paradox is intriguing, this book will prove to be a handy reference. To readers for whom Zen is less a treatise in disguise than a story of a father-son road trip, this distillation may seem superfluous. Still, it’s arguably the best chance for quality to receive the kind of philosophical scrutiny Pirsig thought it could withstand. In a letter from 1995, he wrote, “There are many other problems solved by the [Metaphysics of Quality] but any of the above seems to me to justify it as a major philosophic system. That it solves all of them simultaneously makes it of unequalled magnitude.” It’s interesting, historically, that this is where Pirsig’s ideas should end up. As he describes in the talk that serves as the book’s introduction, he wrote Zen as a novel precisely to avoid the impression of being “high and mighty and talking down” to readers. By making the narrator a man on a motorcycle trip, he notes, “we get another dimension to the entire story. Now we no longer have a person talking from a pulpit. We have a person out in front, out in the open, in real life.” Either that concern was unfounded or Wendy’s editorial efforts have obviated it. Though sometimes scattered, the book is impassioned and serious but never condescending—and always generous.
We might call it a metaphysical primer that is, of all things, fun to read. Or we might just call it quality.Pub Date: April 26, 2022
ISBN: 978-0-06-308464-3
Page Count: 192
Publisher: Custom House/Morrow
Review Posted Online: Dec. 8, 2021
Kirkus Reviews Issue: Jan. 15, 2022
BOOK REVIEW
BOOK REVIEW
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
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