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NEXT TO HUGHES

The self-servingly selective reminiscences of a world-class hustler who, among other dubious career distinctions, was a top aide to Howard Hughes. A sometime FBI agent who made a name for himself after WW II as a freelance trouble-shooter for a suspect clientele (the CIA, Stavros Niarchos, etc.), Maheu (who turns 75 this year) was first retained by Hughes during the mid-1950's. While he never met his employer (who kept in touch by phone or memo), Maheu soon became the reclusive billionaire's main front-man, representing him, among other matters, in the purchase and operation of a wealth of Nevada casinos. Maheu also acted as the Hughes organization's bagman in its efforts to influence such pols as Hubert Humphrey and Richard Nixon. In the meantime, he continued to do the odd dirty job for pals in the intelligence community (e.g., recruiting gangsters Sam Giancana and Johnny Rosselli to assassinate Fidel Castro). Eventually, however, the high-living, Las Vegas-based Maheu ran afoul of the so-called Mormon Mafia, whose members danced personal attendance upon the ailing, drug-addicted Hughes, and he lost his plush post as the mad industrialist's chief surrogate toward the end of 1970. Maheu devotes much of the chronological narrative (coauthored with Dove Books & Audio VP Hack) to exculpatory accounts of the legal woes he endured in the wake of his ouster. These dreary recitals ring false, however, largely because Maheu's assessment of his own role in any number of criminal activities is impenitently amoral. A graceless, narcissistic, score-settling apologia that affords little fresh insight into eccentrics, villains, or scandals from the recent past. (Eight pages of b&w photos—not seen.)

Pub Date: April 22, 1992

ISBN: 0-06-016505-7

Page Count: 272

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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