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THE HAUNTED MAJOR

This 1902 novel by a little-known Scots writer (1863—1910) makes a first US appearance in a new edition garnished with the lively original illustrations (by artist Harry Furniss) and an appreciative send-off by John Updike, who in his introduction calls it “a curious amalgam of religious history, Edwardian foppery, and golfing madness.” Just so, for this tale of spiritual possession and social comeuppance feels much like a lost work by P.G. Wodehouse—who expressed admiration for Marshall’s odd little masterpiece. The narrator and principal character is Major (of Hussars) John Gore, a supremely egotistical fellow and a self-renowned sportsman. When the widower Gore resolves to marry, handsome Katherine Clavering Gunter is discovered to be an “ardent golfer”—and, furthermore, the apparent cynosure of the annoyingly keen eye of championship golfer Jim Lindsay. Our hero thus subdues his contempt for a “sport” that offers no physical risk (and which he has never played) and challenges the affable Lindsay to a match whose prize will be the unobstructed path to Mrs. Gunter’s hand. Gore’s expertise at manly games like polo proves irrelevant (as his exasperated caddy observes, “Ye’ll no hae a hoarse to help ye at goalf”), and all seems lost . . . until the ghost of a Scots prelate, Cardinal Smeaton, offers supernatural aid—the unassuming Lindsay being, as the Cardinal confides, a descendant “o‘ ane of my maist determined foes.” The great match at St. Magnus is described in suitably mock-heroic accents; Gore vacillates suspensefully between employing the Cardinal’s “bewitched clubs” and his own minimal skills; and the story concludes ridiculously well for all concerned, leading to an ingenious (triple) surprise ending. A most enjoyable rediscovery in the “sporting” tradition that extends back to the pre-Dickensian Jorrock’s Jaunts and Jollities.

Pub Date: April 22, 1999

ISBN: 0-88001-669-8

Page Count: 208

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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