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THE HAUNTED MAJOR

This 1902 novel by a little-known Scots writer (1863—1910) makes a first US appearance in a new edition garnished with the lively original illustrations (by artist Harry Furniss) and an appreciative send-off by John Updike, who in his introduction calls it “a curious amalgam of religious history, Edwardian foppery, and golfing madness.” Just so, for this tale of spiritual possession and social comeuppance feels much like a lost work by P.G. Wodehouse—who expressed admiration for Marshall’s odd little masterpiece. The narrator and principal character is Major (of Hussars) John Gore, a supremely egotistical fellow and a self-renowned sportsman. When the widower Gore resolves to marry, handsome Katherine Clavering Gunter is discovered to be an “ardent golfer”—and, furthermore, the apparent cynosure of the annoyingly keen eye of championship golfer Jim Lindsay. Our hero thus subdues his contempt for a “sport” that offers no physical risk (and which he has never played) and challenges the affable Lindsay to a match whose prize will be the unobstructed path to Mrs. Gunter’s hand. Gore’s expertise at manly games like polo proves irrelevant (as his exasperated caddy observes, “Ye’ll no hae a hoarse to help ye at goalf”), and all seems lost . . . until the ghost of a Scots prelate, Cardinal Smeaton, offers supernatural aid—the unassuming Lindsay being, as the Cardinal confides, a descendant “o‘ ane of my maist determined foes.” The great match at St. Magnus is described in suitably mock-heroic accents; Gore vacillates suspensefully between employing the Cardinal’s “bewitched clubs” and his own minimal skills; and the story concludes ridiculously well for all concerned, leading to an ingenious (triple) surprise ending. A most enjoyable rediscovery in the “sporting” tradition that extends back to the pre-Dickensian Jorrock’s Jaunts and Jollities.

Pub Date: April 22, 1999

ISBN: 0-88001-669-8

Page Count: 208

Publisher: Ecco/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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