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THE BIG GAME IS EVERY NIGHT

A heartfelt story of ambition, family, and frustration.

A high school football player struggles in the aftermath of an injury.

“I never had a favorite team because I didn’t watch football for pleasure. I watched it like work.” That’s Grady Hayes, the 15-year-old narrator, on the subject of the sport he plays. For Grady and his high school teammates, football represents a way out of their South Carolina community, and his fellow players often discuss scholarships and prospects with sensibilities that waver between hope and pragmatism. “The stakes for that game against Gadsden were no higher than any other,” Grady muses. “That’s not to say they were low, only that the stakes were always high.” It’s in this game that Grady injures his leg—and, making matters worse, the doctors then take a week to determine the source of his pain. Eventually, one of them offers him an ominous diagnosis of his rare broken bone: “It’s almost like a miracle. Or whatever the opposite of that is.” From there, Grady becomes increasingly alienated from his family (especially his mother and cousin) and friends, all the while developing a penchant for pills and spending time with an unpredictable classmate who encourages his more self-destructive tendencies—including reckless off-road driving. Maynor’s novel is at its best when documenting Grady’s depression and alienation; throughout, it’s clear that Grady is aware that he should be doing something else, but he simply doesn’t care. His father’s arrival on the scene late in the novel adds a more chaotic element to the book, and offers a new context for some of Grady’s actions. At times, Grady can feel more reactive than proactive as a character, but the lived-in details of this novel help to balance that.

A heartfelt story of ambition, family, and frustration.

Pub Date: Aug. 22, 2023

ISBN: 9798885740159

Page Count: 264

Publisher: Hub City Press

Review Posted Online: June 24, 2023

Kirkus Reviews Issue: July 15, 2023

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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