A breathless thriller that leaves its best ideas buried.
A spy-for-hire gets caught in a web of international intrigue in McMinn’s espionage thriller.
Moscow, 1977: An unnamed contractor narrates in the first person as he infiltrates a conference while posing as a doctor from West Germany. Flashbacks reveal that the operative was originally recruited from a reservation after attending a school for Indigenous children; he’s been sent to Moscow to investigate a testing site that may be connected to advances in a powerful new weapon (technology involving lasers and nuclear explosions, presented as an origin point for the infamous real-world Star Wars program). Before he can even begin to execute his mission, however, he realizes that his cover’s been blown when his contact leads him into a trap. Suddenly “flanked by a highly trained and well-prepped operations team,” the narrator finds himself the target of a relentless chase as he bounds through subways, back alleys, and shadowy corridors. Adopting new identities, interrogating subjects, outsmarting police, and crossing paths with other spies, he finds himself caught in an ever-expanding web of double-crosses involving U.S. Marines, Asian triad gangsters, Moroccan intelligence operatives, and members of the Russian elite. Just what he’s been sent to accomplish, who hired him, and whether he’ll escape with his life remain in question as the narrative continually reshuffles the deck. “Paranoia is adrenaline, and it keeps me alert,” the narrator observes, and McMinn delivers adrenaline in spades. The author deftly creates tension through a first-person perspective attuned to every detail, and the chase sequences and interrogations yield satisfying suspense. Flashbacks reveal a fascinating backstory, particularly those detailing the narrator’s upbringing on a reservation. However, many of the novel’s strongest points regarding Indigenous American perspectives on global espionage are obscured by the convoluted plot. Employing a multilayered structure reminiscent of a John le Carré thriller, McMinn piles on too many twists, leaving both narrator and reader completely in the dark. The result is an energetic novel that ultimately sacrifices coherence for complication.
A breathless thriller that leaves its best ideas buried.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: June 16, 2026
Review Program: Kirkus Indie
Intrigue, murder, and vengeance make for a darkly enjoyable read.
A woman’s life takes a stunning turn and a wall comes tumbling down in this tense Cold War spy drama.
In Berlin in 1989, the wall is about to crumble, and Anne Simpson’s husband, Stefan Koehler, goes missing. She is a translator working with refugees from the communist bloc, and he is a piano tuner who travels around Europe with orchestras. Or so he claims. German intelligence service the BND and America’s CIA bring her in for questioning, wrongly thinking she’s protecting him. Soon she begins to learn more about Stefan, whom she had met in the Netherlands a few years ago. She realizes he’s a “gregarious musician with easy charm who collected friends like a beachcomber collects shells, keeping a few, discarding most.” Police find his wallet in a canal and his prized zither in nearby bushes but not his body. Has he been murdered? What’s going on? And why does the BND care? If Stefan is alive, he’s in deep trouble, because he’s believed to be working for the Stasi. She’s told “the dead have a way of showing up. It is only the living who hide.” And she’s quite believable when she wonders, “Can you grieve for someone who betrayed you?” Smart and observant, she notes that the reaction by one of her interrogators is “as false as his toupee. Obvious, uncalled for, and easily put on.” Lurking behind the scenes is the Matchmaker, who specializes in finding women—“American. Divorced. Unhappy,” and possibly having access to Western secrets—who will fall for one of his Romeos. Anne is the perfect fit. “The matchmaker turned love into tradecraft,” a CIA agent tells her. But espionage is an amoral business where duty trumps decency, and “deploring the morality of spies is like deploring violence in boxers.” It’s a sentiment John le Carré would have endorsed, but Anne may have the final word.
Intrigue, murder, and vengeance make for a darkly enjoyable read.Pub Date: Feb. 1, 2022
ISBN: 978-1-64313-865-7
Page Count: 352
Publisher: Pegasus Crime
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...
In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.
William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.
Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.Pub Date: May 23, 2017
ISBN: 978-0-06-247335-6
Page Count: 320
Publisher: Harper/HarperCollins
Review Posted Online: March 6, 2017
Kirkus Reviews Issue: March 15, 2017
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