Natural history and memories fashion this ode to Colorado's High Line Canal by Pyle (Wintergreen, 1986), whose gentle style belies a lyric intensity rarely found in place-portraits. The one-hundred-year-old High Line Canal, a once great notion to bring Rocky Mountain water to irrigate the Great Plains, caught Pyle's imagination when he was a boy—and it has mesmerized him ever since. The canal, never completed and long abandoned, is still in evidence around the Denver area, but whereas in Pyle's youth it was a place of mystery and life, now it's bordered by senescent farms and industrial parks, trashed by dumping, its riparian habitat for the most part devastated. Pyle brings us back through the canal's past, exploring pockets of Coloradan history to provide the whys and wherefores behind the building of the structure. Given the scarcity of water in those parts, the canal attracted not only farms but a cascade of plants and wildlife as well: foxes and racoons, cornflowers and toads, magpies and cottonwoods, and various types of butterflies—painted ladies and question marks and mourning cloaks. The author's rhapsodies are short-lived, though, as he slips into gloom while he ponders the canal's current state of affairs—environmental disfigurement in the wake of urban sprawl; the woeful extinction of local species; the humiliation of a unique place. It comes as no surprise that he winds up with a plea to protect the canal and its remaining wildlands. Never preachy, never cloying: a powerful and memorable example of place-writing.
Pub Date: May 1, 1993
ISBN: 0-395-46631-8
Page Count: 224
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1993
Loads of good explaining, with reminders, time and again, of how much remains unknown, neatly putting the death of science...
Bryson (I'm a Stranger Here Myself, 1999, etc.), a man who knows how to track down an explanation and make it confess, asks the hard questions of science—e.g., how did things get to be the way they are?—and, when possible, provides answers.
As he once went about making English intelligible, Bryson now attempts the same with the great moments of science, both the ideas themselves and their genesis, to resounding success. Piqued by his own ignorance on these matters, he’s egged on even more so by the people who’ve figured out—or think they’ve figured out—such things as what is in the center of the Earth. So he goes exploring, in the library and in company with scientists at work today, to get a grip on a range of topics from subatomic particles to cosmology. The aim is to deliver reports on these subjects in terms anyone can understand, and for the most part, it works. The most difficult is the nonintuitive material—time as part of space, say, or proteins inventing themselves spontaneously, without direction—and the quantum leaps unusual minds have made: as J.B.S. Haldane once put it, “The universe is not only queerer than we suppose; it is queerer than we can suppose.” Mostly, though, Bryson renders clear the evolution of continental drift, atomic structure, singularity, the extinction of the dinosaur, and a mighty host of other subjects in self-contained chapters that can be taken at a bite, rather than read wholesale. He delivers the human-interest angle on the scientists, and he keeps the reader laughing and willing to forge ahead, even over their heads: the human body, for instance, harboring enough energy “to explode with the force of thirty very large hydrogen bombs, assuming you knew how to liberate it and really wished to make a point.”
Loads of good explaining, with reminders, time and again, of how much remains unknown, neatly putting the death of science into perspective.Pub Date: May 6, 2003
ISBN: 0-7679-0817-1
Page Count: 304
Publisher: Broadway
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2003
BOOK TO SCREEN
A media-savvy scientist cleans out his desk.
Tyson (Astrophysics for People in a Hurry, 2017, etc.) receives a great deal of mail, and this slim volume collects his responses and other scraps of writing.
The prolific science commentator and bestselling author, an astrophysicist at the American Museum of Natural History, delivers few surprises and much admirable commentary. Readers may suspect that most of these letters date from the author’s earlier years when, a newly minted celebrity, he still thrilled that many of his audience were pouring out their hearts. Consequently, unlike more hardened colleagues, he sought to address their concerns. As years passed, suspecting that many had no interest in tapping his expertise or entering into an intelligent give and take, he undoubtedly made greater use of the waste basket. Tyson eschews pure fan letters, but many of these selections are full of compliments as a prelude to asking advice, pointing out mistakes, proclaiming opposing beliefs, or denouncing him. Readers will also encounter some earnest op-ed pieces and his eyewitness account of 9/11. “I consider myself emotionally strong,” he writes. “What I bore witness to, however, was especially upsetting, with indelible images of horror that will not soon leave my mind.” To crackpots, he gently repeats facts that almost everyone except crackpots accept. Those who have seen ghosts, dead relatives, and Bigfoot learn that eyewitness accounts are often unreliable. Tyson points out that extraordinary claims require extraordinary evidence, so confirmation that a light in the sky represents an alien spacecraft requires more than a photograph. Again and again he defends “science,” and his criteria—observation, repeatable experiments, honest discourse, peer review—are not controversial but will remain easy for zealots to dismiss. Among the instances of “hate mail” and “science deniers,” the author also discusses philosophy, parenting, and schooling.
A media-savvy scientist cleans out his desk.Pub Date: Oct. 8, 2019
ISBN: 978-1-324-00331-1
Page Count: 272
Publisher: Norton
Review Posted Online: Sept. 1, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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