by Robert Ornstein ‧ RELEASE DATE: Oct. 15, 2021
A fitting final chapter in the canon of an innovative psychologist.
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An acclaimed psychologist’s magnum opus.
Stanford University professor Robert Ornstein’s 1972 book, The Psychology of Consciousness, was the subject of long-form reviews and analysis in the New Yorker, Time, and other national publications. The groundbreaking work provided fresh, scientifically based answers to how the evolution of the brain and consciousness aligned with human spirituality. Nearly a half-century and dozens of books later, the author, who died in 2018, offers readers this final, posthumously published work—the only one co-written with his wife, Sally. Ornstein notes in the preface that it is “the book I was waiting for,” calling it a “sequel” to his best-known work. He updates his past thesis with later findings in the fields of psychology and neuroscience and further develops his self-described “radical conclusion” that what humanity has “experienced as ‘God’ is a development and extension of consciousness.” From primordial shamans who introduced humanity to the first notion of a deity (or, in the book’s parlance, “God 1.0”) to the development of a monotheistic, omnipotent God in Abrahamic religions (“God 3.0”), humans have “tried to transcend normal existence” in a constant endeavor to unravel the mystery of life and death, he asserts. This book carefully balances readability and scientific complexity in its quest to find explanations for the near ubiquity of spirituality in humanity’s history, and the author displays a firm command of information regarding world religion, secular history, and cutting-edge science and psychological theory, as evidenced through extensive endnotes. It also tackles distinctly modern questions, such as why does religion make a rational species like Homo sapiens “do such weird things?” The book’s copious introductory materials are a bit hagiographic in their treatment of Ornstein’s legacy, but its main chapters deliver an effective, timely, and apropos conclusion to his published works. Particularly poignant is its final section, which calls for humankind to “move beyond beliefs” and “to bring up our children to identify with humanity itself.”
A fitting final chapter in the canon of an innovative psychologist.Pub Date: Oct. 15, 2021
ISBN: 978-1-949358-99-5
Page Count: 406
Publisher: Malor Books
Review Posted Online: Sept. 30, 2021
Review Program: Kirkus Indie
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by Walter Isaacson ‧ RELEASE DATE: Nov. 18, 2025
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.
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New York Times Bestseller
Words that made a nation.
Isaacson is known for expansive biographies of great thinkers (and Elon Musk), but here he pens a succinct, stimulating commentary on the Founding Fathers’ ode to “life, liberty, and the pursuit of happiness.” His close reading of the Declaration of Independence’s second sentence, published to mark the 250th anniversary of the document’s adoption, doesn’t downplay its “moral contradiction.” Thomas Jefferson enslaved hundreds of people yet called slavery “a cruel war against human nature” in his first draft of the Declaration. All but 15 of the document’s 56 signers owned enslaved people. While the sentence in question asserted “all men are created equal” and possess “unalienable rights,” the Founders “consciously and intentionally” excluded women, Native Americans, and enslaved people. And yet the sentence is powerful, Isaacson writes, because it names a young nation’s “aspirations.” He mounts a solid defense of what ought to be shared goals, among them economic fairness, “moral compassion,” and a willingness to compromise. “Democracy depends on this,” he writes. Isaacson is excellent when explaining how Enlightenment intellectuals abroad influenced the founders. Benjamin Franklin, one of the Declaration’s “five-person drafting committee,” stayed in David Hume’s home for a month in the early 1770s, “discussing ideas of natural rights” with the Scottish philosopher. Also strong is Isaacson’s discussion of the “edits and tweaks” made to Jefferson’s draft. As recommended by Franklin and others, the changes were substantial, leaving Jefferson “distraught.” Franklin, who emerges as the book’s hero, helped establish municipal services, founded a library, and encouraged religious diversity—the kind of civic-mindedness that we could use more of today, Isaacson reminds us.
A short, smart analysis of perhaps the most famous passage in American history reveals its potency and unfulfilled promise.Pub Date: Nov. 18, 2025
ISBN: 9781982181314
Page Count: 80
Publisher: Simon & Schuster
Review Posted Online: Aug. 29, 2025
Kirkus Reviews Issue: Oct. 1, 2025
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by Walter Isaacson with adapted by Sarah Durand
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SEEN & HEARD
by Brandon Stanton ‧ RELEASE DATE: Oct. 7, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee
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by Brandon Stanton photographed by Brandon Stanton
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