An engaging, timely thriller that favors plotting over character depth.
Edwards’ SF thriller explores the dangers of artificial intelligence in a near-future world.
Set in 2045, the story follows firefighter Miro Jackson, a member of Australia’s elite Predict, Prevent, and Control Unit, which uses a technology called MindLink to anticipate and prevent disasters before they occur. When the Delroy family dies in a suspicious house fire, Miro, informed by his former career in the New South Wales Police Force and a series of personal tragedies, begins to suspect that advanced AI systems may have influenced the outcome. The narrative then shifts to FBI agent Catalina Herrera, who’s investigating a series of unusual deaths in the American Midwest. Victims using Agentic’s augmented reality systems appear to ignore life-threatening storm warnings, raising concerns that AI-driven interfaces may be manipulating human perceptions and behavior. (“My theory, to be tested, is that our killer uses some device or psychological trick to persuade our victims to remain in a situation of almost certain death.”) As the investigations in Australia and the United States begin to overlap, the story expands into a broader conspiracy involving corporate power and environmental collapse. Miro’s deployment to the United States brings him into a collaboration, and personal connection, with Cat, even as attacks on global energy infrastructure escalate and conspiracies deepen within government and industry. Additional perspectives, including those of a mysterious observer known as the Watcher, a narrative commentary on the environmental cost of large-scale AI systems, and Agentic CEO Roger Saxton, who struggles with power issues to keep his AI running, broaden the scope of the novel. Edwards has constructed a fast-paced, high-concept narrative grounded in a timely premise about AI and its societal influence, but while the plot is consistently engaging and ambitious in scope, the frequent shifts in perspective and limited character development limit its emotional depth and blunt the novel’s overall impact.
An engaging, timely thriller that favors plotting over character depth.Pub Date: May 23, 2026
ISBN: 9781067665289
Page Count: 337
Publisher: Self
Review Posted Online: May 19, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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