A graceful meditation on history and nature by an author well worth knowing.
Lyrical novel of the ancient Mediterranean by Croatian writer Perišić.
Three principal characters move Perišić’s loping tale. The first is Miu, a cat, which, like all cats, “does not know the difference between a palace and a neglected yard.” The second is young Kalia, a son of Sparta’s sole colony, who, in another colony, finds himself enslaved. The third is a persistent wind, which explains, “I’m not an ordinary spirit, the way people imagine—a person’s ghost or some such thing—but I am from a family of wind spirits, dragged from the upper parts of the atmosphere by some dramatic events.” Floating back and forth among contending Carthaginians and Syracusans, the wind comments on the ways of the world even as humans, with all their vain wishes, find new ways to invite the gods’ wrath. The obnoxious child of Kalia’s owner tries to torture Miu, ordering Kalia to perform the most savage of acts, bellowing, “I am her master and she needs to love me. She needs to hate you!” It doesn’t work on animals, animal behavior being one of the wind’s chief topics. It certainly doesn’t work on Kalia, who rebels, stealing away to yet another colony far up the neck of the Adriatic Sea in what is reputed to be “the end of the world,” a place called Liburnia, modern Croatia. Perišić takes his time in pulling the threads of the story together, and in any event that story is less memorable than the delightful apothegms with which he adorns his prose. The wind always has the best lines—including, thousands of years after Kalia’s time, while looking down at an alley cat that may well be a descendant of Miu’s, a wistful reminder that she (our wind is a female) needs to find balance lest she go crazy pondering the ways of humans: “That would not be good for the climate. Everything is quite wobbly already.”
A graceful meditation on history and nature by an author well worth knowing.Pub Date: Nov. 1, 2022
ISBN: 978-9-53351-399-7
Page Count: 408
Publisher: Sandorf Passage
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Though uneven, this is still a pleasurable, comforting read.
Infertility, family secrets, and alpacas all figure in Quindlen’s latest meditation on mothering and domesticity.
Polly’s life looks enviable. Happily married to the adoring Mark—a vet at the Bronx Zoo—she teaches English at a private Manhattan girls’ school and loves her work. She has a protective older brother and close girlfriends, who’ve formed a book club where no one is expected to read the book. But Polly desperately wants a child and, at 42, knows time is running out. She and Mark have gone through endless fertility treatments, to no avail. Meantime, Polly’s friends have given her a DNA kit as a jokey birthday gift, and something mysterious shows up in the test results. Then, out of nowhere, a young woman contacts her, suggesting they may be related. That’s not all: Polly feels estranged from her mother, a revered judge who’s insufficiently maternal in her daughter’s view. Her father has always cherished her, but he’s in a nursing home now with a rapidly failing mind. And something is amiss with her best pal, Sarah. Quindlen’s trademark empathy is evident throughout, and her wry humor leavens some of the serious goings-on. Early on, Mark and Polly visit a fertility clinic with photos of babies in the waiting room; for Polly, “it felt…like a Weight Watchers facility with hot fudge sundae pictures on the wall.” Then we meet these charming alpacas, humming and pronking, on a farm run by an earth mother, whose wisdom will help Polly get on with her life. The plot swerves around a bit, there may be one surplus narrative thread (e.g., Polly’s star student Josephine running aground after graduation), and at the end, the author ties things up too neatly, pushing the “circle of life” theme too hard.
Though uneven, this is still a pleasurable, comforting read.Pub Date: Feb. 24, 2026
ISBN: 9780593734605
Page Count: 256
Publisher: Random House
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
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