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HONEY, MUD, MAGGOTS, AND OTHER MEDICAL MARVELS

THE SCIENCE BEHIND FOLK REMEDIES AND OLD WIVES' TALES

What would at first appear to be a collection of entertaining anecdotes about some weird-sounding, even stomach-churning old remedies is in fact much more: a fascinating glimpse into the evolution of medical traditions. The Root-Bernsteins—he's a MacArthur fellow and physiologist (Michigan State Univ.), she's an award-winning writer of history- -have selected only those treatments that have been well validated by current medical practice. Their thesis is that thousands of years of experimentation have led to effective treatments in every folk culture around the world and that review of these practices can ``prime the pump of medical innovation.'' In addition to the honey, mud, and maggots of the title, they describe such other old-time cures as drinking urine, licking wounds, blood-letting, and bathing in mineral springs. While not advocating a return to the old ways, they show what scientific research has learned about the therapeutic properties of urine and saliva, how phlebotomy remains appropriate for certain disorders, and how deep-water immersion is used in physical medicine. Surprisingly, some once-popular therapies that one might assume had been long abandoned are still around. Leeches are used today to remove stagnant blood in tissue transplants, and maggot therapy (sometimes delicately referred to as ``biosurgery'') is an effective means of cleaning up gangrenous wounds. The authors' discussions of circumcision and contraception reveal much about the links between culture and biology. Issuing clear caveats against the uncritical adoption of folk or alternative medicine fads, they point out that while crackpots abound, panaceas do not exist. In keeping with their belief that medicine ought to support culturally diverse therapies, they offer some stimulating ideas on finding, evaluating, and marketing effective folk remedies. While enjoyable just for its wonderful stories, this charming and literate work casts new light on old wives' tales.

Pub Date: Oct. 20, 1997

ISBN: 0-395-82298-X

Page Count: 288

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1997

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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