Another worthy outing for the quick-witted, ever evolving private eye.

First Kill

AN ELI QUINN MYSTERY

Eli Quinn’s latest case finds the private investigator roaming the surprisingly dangerous real estate world of Pleasant, Arizona, to locate a missing man in Britt’s (Murder Mountain, 2016, etc.) series mystery.

It’s been less than 24 hours since realtor Madison Mack lost contact with his father, Joe, who was representing his real estate agency at a conference in nearby Scottsdale, Arizona. Certain he’s gone missing, Madison calls private eye Quinn, a relative novice at sleuthing whose first two cases have won him acclaim in the press. His search for Joe first takes him to his landlady, Aahna Chaudhari, who has her own real estate business. Joe’s success may have upset his fellow agents, but according to Aahna, he and his wife, Joanne, were also swingers; Quinn soon spots other realtors at a swingers’ party he crashes. Then his growing suspect list does something unexpected: it gets shorter, as other people also mysteriously vanish. At one point, someone knocks Quinn on the head, apparently as a warning to steer clear of the investigation. Fortunately, the PI has a handful of pals he can count on, including reporter Samantha Marcos, former lawman Jack “Beach” Beachum, and his own German shepherd, Solo, trained to attack on command. In this latest installment, Britt’s returning protagonist continues to develop as a character. Once a man who barely understood the private-investigation industry, Quinn now seems to be adopting a tough-guy role, and he’s more prone to employ his martial arts skills against uncooperative individuals. The same is true for the finely drawn-out romance between Quinn and his girlfriend, Sam. They’ve only just decided to bump up their friendship status, but their intimacy has to be put on hold thanks to Quinn’s battered face (due to the events of the preceding novel). As in earlier series entries, readers won’t have much trouble pinpointing exactly what happened or who’s responsible. But along the way, Britt offers a sharp, hearty narrative that’s not above a few tongue-in-cheek moments; Quinn, for example, has an easy time shadowing realtor suspects, as they all have their photos plastered on their car doors.

Another worthy outing for the quick-witted, ever evolving private eye.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: Ink Spot Books

Review Posted Online: Sept. 6, 2016

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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DEVOLUTION

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...

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IT ENDS WITH US

Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.

At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.

Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.

Pub Date: Aug. 2, 2016

ISBN: 978-1-5011-1036-8

Page Count: 320

Publisher: Atria

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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