by Robert S. Levine ‧ RELEASE DATE: Feb. 1, 2016
An astute, thorough literary study that will invite fresh readings of Douglass’ writing.
A compelling scholarly study of the evolution of Frederick Douglass’ thinking.
Over the course of his life (1818-1895), Douglass published three autobiographies, continually revising and restructuring his life story as an ex-slave. Yet he is read and celebrated mostly for his first, The Narrative of the Life of Frederick Douglass, published in 1845 under the aegis of William Lloyd Garrison’s Massachusetts Anti-Slavery Society. In this finely delineated look at Douglass’ writing, Levine (English/Univ. of Maryland; Dislocating Race and Nation: Episodes in Nineteenth-Century American Literary Nationalism, 2008, etc.) urges new readings of his subject’s other autobiographical works, as well as his 1853 novella, The Heroic Slave, in order to grasp a fuller understanding of how Douglass came into his own and began to move away from Garrison’s “moral suasion” to an advocacy of black militancy and beyond. Douglass became hugely famous in his late 20s with Narrative, which was probably edited by Garrison and prefaced with what some scholars view as patronizing remarks by his “white sponsor.” However, Levine sees the collaboration between the two as “productive.” Indeed, while Douglass wrote his Narrative under the constraints of the Anti-Slavery Society, Levine finds that Garrison was influenced by Douglass’ text as significantly as Douglass gained by Garrison’s initial endorsement. Sent to Britain by Garrison’s society to spread the abolitionist message and also for his own safety, Douglass immediately began to assume an independent authorial voice and work on the publication of a revision of the autobiography, while also giving speeches and publishing essays that reveal how he was moving away from Garrison’s ideas and establishing a powerful black persona. Upon his return, he published his own newspaper, North Star, and broke completely with Garrison, making bold statements about necessary black violence in confronting slavery. Levine’s exploration of the character of Madison Washington in The Heroic Slave as Douglass’ alter ego and his views of John Brown and President Abraham Lincoln are especially elucidating.
An astute, thorough literary study that will invite fresh readings of Douglass’ writing.Pub Date: Feb. 1, 2016
ISBN: 978-0-674-05581-0
Page Count: 368
Publisher: Harvard Univ.
Review Posted Online: Oct. 27, 2015
Kirkus Reviews Issue: Nov. 15, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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