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DOWN AROUND MIDNIGHT

A MEMOIR OF CRASH AND SURVIVAL

A sobering, protracted deconstruction of tragic events and circumstances.

A plane-crash survivor meanderingly dissects the scattered details of the disaster.

“Time never had a chance to stand still,” writes Rolling Stone contributor Sabbag (Loaded: A Misadventure on the Marijuana Trail, 2002, etc.) of that night in June 1979. The author—then 32 and enjoying the success of his first book, Snowblind—was one of eight passengers aboard the doomed Air New England flight to Cape Cod. Just minutes into their initial descent, the airplane malfunctioned and began to dive at 1,500 feet per minute, “breaking out of the cloud cover about two seconds from contact.” Sabbag suffered a broken back but was able to join forces with Suzanne, another survivor. Both managed to evacuate the remaining passengers in near darkness, and Suzanne fearlessly ventured into the woods to bring a rescue team to the crash site a few hours later. Fast-forward nearly three decades later. Sabbag called Suzanne to compare notes on the crash and discovered that her “recovery had been swift” and that she had boarded another plane within weeks—yet her mother felt the heft of the tragedy for several years. This information amazed Sabbag, and the remainder of the book examines his post-traumatic blind spots and how he became numb to the psychological fallout of the accident. He insightfully remarks on an “acquired” fear of flying and the reunions with other passengers (“heirs to a common destiny”) and his distant yet concerned ex-wife. His “inerasable” crash-site memories haunt him still, and readers will get the sense that Sabbag never achieved the sense of closure he may have been seeking with this book.

A sobering, protracted deconstruction of tragic events and circumstances.

Pub Date: June 15, 2009

ISBN: 978-0-670-02102-4

Page Count: 218

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2009

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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