by Robert Sanderson ‧ RELEASE DATE: N/A
A bleak and damning story of government neglect of Indigenous communities.
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A new employee attempts to cure the internal rot of Canada’s government in Sanderson’s historical novel set in the 1970s.
This novel about the White employees of the Nakina Indian Affairs district office and the Indigenous villagers who suffer under them illustrates how “Most Canadians don’t know anything about Indian history,” as its protagonist notes. In 1976, John Rager joins Indian Affairs as the commerce officer for an impoverished district after his wife, Helen, leaves him and takes their son, Sam. His new position reveals a government system layered in bureaucracy, where racist supervisors, such as his boss, Mr. Reed, “drink, chase women, and take bribes” while leaving Indigenous communities destitute. Rager, however, takes his work seriously, engaging with village residents, their chiefs, and representatives in the hopes of revitalizing their communities. He soon learns that the corruption goes far deeper than he thought, and his work feels increasingly “like Sisyphus pushing a boulder up a hill only to see it roll down again.” As the story goes on, Sanderson presents a supporting cast of deplorable characters whose repugnance is only sharpened by the harrowing realization that similar people exist in the real world. Most of the Indigenous characters stay on the story’s fringes and are subject to the worst circumstances, including rapes, beatings, abject poverty, and alcoholism. Overall, Sanderson’s work feels more like a parable than a novel, using dialogue and third-person narration mainly to illustrate aspects Canadian history and corruption, with pages-long monologues about societal issues. The book is short, and this results in a relative lack of character development, but the government workers’ lack of dimensionality only emphasizes Sanderson’s point about their dangerous apathy: “Make promises, do as little as possible, just talk and talk and talk until everyone gives up and walks away.”
A bleak and damning story of government neglect of Indigenous communities.Pub Date: N/A
ISBN: 9781039155664
Page Count: 269
Publisher: FriesenPress
Review Posted Online: Dec. 19, 2022
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
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BOOK TO SCREEN
by Marie Bostwick ‧ RELEASE DATE: April 22, 2025
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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