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THE SCARE

An overcooked contemporary Gothic splatter-fest.

Jealousy is at the heart of this brutal horror story pulsing with axe-wielding gnomes and blood-spewing cats.

This carnival of sexual violence, obscenities and gore is offset by the love that binds a gallant group of teenage friends, two of whom are struggling with personal tragedy. Ethan is haunted with guilt over the murder of his kid brother, and Shay, the new beauty in town, is fleeing a tortured past. Imagine Shay’s horror when, on her first day at school, a strange boy blurts out her secret in public. In a nice creepy touch, when the boy is questioned, he has no memory of having said anything. In walks the school bully Viktor Sols, a lipless, pallid, dead-eyed psychopath. He sets eyes on Shay and desires her completely but then gets killed, and a weird savagery is unleashed. A powerful mind-hacker (a straight Harry Potter rip-off) makes the youngsters want to rape, masturbate and kill. The same sick force murders people on a blinding, videogame scale. Subtlety is not Shaw’s strong suit. When Shay is abducted, Ethan and company set out to rescue her. Nothing, however, prepares them for the twisting evil within the sinister bowels of Sols House. Shaw has a sharp ear for the trendy, hormonal banter of the schoolyard and the unspoken racist abuse that students have to battle (“ugly Chink bitch”). There are evocative flashes—the stone of the Sols family crypt is “the color of bones,” teeth patter to the floor like “enamel hailstones”—and an earnest if unoriginal flogging of the supernatural arsenal (howling storms, open graves, midnight knocks, the undead). Unfortunately, all this is submerged in a tedious torrent of overwriting—“two boys were wading through the gaze of every kid in the room like a disease advancing upon a nascent civilization”—and sub-climaxes that never seem to end.

An overcooked contemporary Gothic splatter-fest.

Pub Date: May 10, 2011

ISBN: 978-0981599304

Page Count: 349

Publisher: CreateSpace

Review Posted Online: July 1, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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