An unusually rosy, if rather talky, take on the relationship between humans and robots.
In this sci-fi tale, the destiny of mankind is drastically altered after new technology allows the copying of human minds into robotic chassis—and ultimately, the resulting beings must save the last Homo sapiens.
Snyder’s debut saga opens in 2014 with Graham Gordon, a Canadian youth, reading a Popular Science article about new advances in interfacing animal brains with computers. Later, the adult Graham does robotic research as scientists in a ruthlessly ambitious China and in a corporate-corrupted United States race to develop artificial, humanoid soldiers. He figures out how to copy human minds (with all their useful job skills, experiences, and interpersonal nuance) into software, but instead of creating marching automaton armies, a Sino-American cooperative effort mass-manufactures a nicer breed of robots with the ability to think. These durable, tireless, guileless “Machines” go on to replace the human labor force entirely. However, “Malaise,” a fatal torpor typified by suicide and addiction, levels humanity. The ultrasensible Machines have personalities, opinions, and quirks—all cut and pasted from real people—but they lack the incentive for evil. So, as mankind languishes on the edge of extinction, Machines conclude that it’s only fair to rescue their inventors. Leading the effort is Keisha, a Machine copied from long-dead novelist Amelia Dixon; Bill Weinberg, copied from Dixon’s money-manager husband; and other roboticized VIPs from an earlier era. The style of this seven century–spanning chronicle of robotic evolution (and human devolution), told largely in anecdotal fashion, sometimes verges on reportage. At times, it recalls Isaac Asimov’s iconic, linked short story cycle I, Robot (1950), although nobody mentions “positronic brains” here. Snyder’s story indulges in the utopian speculation of early sci-fi works, as the wise, verbose Machines implement programs for restoring “biological” civilization to its glory, while also sidestepping its socio-economic pitfalls and pathologies. This optimistic novel does lack the slam-bang robot action of a Terminator movie, but the Machines make charming company as they engage in lengthy discussions about how and why biological culture went buggy—and about ways to put it right.
An unusually rosy, if rather talky, take on the relationship between humans and robots.Pub Date: Nov. 29, 2018
ISBN: 978-1-68433-153-6
Page Count: 324
Publisher: Black Rose Writing
Review Posted Online: Nov. 28, 2018
Kirkus Reviews Issue: Jan. 15, 2019
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
