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CHASING THE MOON

THE PEOPLE, THE POLITICS, AND THE PROMISE THAT LAUNCHED AMERICA INTO THE SPACE AGE

A brisk narrative, deft anecdotes, and abundant illustrations enliven a well-researched history.

In an informative companion book to the PBS miniseries of the same name, documentary filmmaker Stone, the program’s writer, producer, and director, and Andres, a consulting producer and researcher on the series, chronicle the quest for space travel that culminated in Neil Armstrong’s first step on the lunar surface.

As the authors reveal, the journey to the moon did not begin with John F. Kennedy’s commitment to a moon landing by the end of the 1960s but more than half a century earlier, in “agrarian czarist Russia,” where “a popular spiritual philosophy called cosmism” posited space travel as “the ultimate liberation” from “the shackles of Earth’s gravity” and into a realm where “all humanity would partake in cosmic immortality.” In the decades that followed, space travel piqued the public’s imagination: Science fiction magazines, novels, and movies found an eager audience, and interplanetary societies began in America and the U.K. By 1950, Arthur C. Clarke became a popular spokesman for, and writer about, interplanetary flight, so well-known that in 1964, when director Stanley Kubrick planned “an ambitious, optimistic epic about humanity’s destiny in space,” he called on Clarke as a collaborator; 2001: A Space Odyssey was released, to great acclaim, a few years later. The authors profile other major figures who influenced America’s space program throughout the 1950s and ’60s: charismatic German rocket engineer Wernher von Braun and his mentor Willy Ley, who became part of “America’s new German brain trust”; NASA head James Webb, who advocated for government support even in the face of skeptical congressmen; newscaster Edward R. Murrow, who repeatedly pressed for integrating the astronaut corps; Poppy Northcutt, the first female flight controller; and the teams of astronauts who manned the Mercury, Gemini, and Apollo crews. The authors re-create in breathtaking detail the launch of Apollo 11 and Armstrong’s calm announcement four days later: “The Eagle has landed.”

A brisk narrative, deft anecdotes, and abundant illustrations enliven a well-researched history.

Pub Date: June 4, 2019

ISBN: 978-1-5247-9812-3

Page Count: 368

Publisher: Ballantine

Review Posted Online: March 16, 2019

Kirkus Reviews Issue: April 1, 2019

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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