A tour de force in breadth and depth.
Schaefer’s debut is an in-depth critical assessment of the Russo-Chechen conflict that reflects a deep understanding of counterinsurgency in general and how it relates to that region specifically.
Although the Russian government officially declared an end to the Second Chechen War in 2009, the insurgency in the North Caucasus is far from over, according to Schaefer. In clear, layman-friendly prose, he argues convincingly and meticulously that Russia’s strategy failures stem from a vital misunderstanding of the nature of Chechen resistance; the Russian government’s insistence that Chechen rebels are less resistance fighters than they are mere terrorist criminals is a misinterpretation that, in Schaefer’s view, has led to the misapplication of counterterrorist tactics that not only failed to quell the Chechen resistance movement while the war was on, but have allowed it to regroup in the last two years. Schaefer, a lieutenant colonel in the U.S. Army Special Forces, wields his military and foreign policy expertise handily, building his arguments from the rudiments up so that casual readers can easily follow while also scoring insights that ought to make this work indispensable to more interested actors and observers. He provides invaluable context by explaining the nature of insurgencies and terrorist acts, details the long history of regional power struggles (and particularly the protracted hostilities between Russians and various North Caucasian ethnic groups) and analyzes the extent to which certain Islamic sects have shaped the conflict and motivated insurgents’ causes. At root, Schaefer’s argument is that the Russian approach, in deviation from Western standards, puts too little emphasis on political strategies to combat the insurgency, instead relying on vastly superior firepower in an attempt to break the Chechens, who have been waging a campaign without an end-game strategy and are destined to fail as long as Russia’s interest in the region remains strong. Whether or not Schaefer’s conclusions are persuasive, his reasoning is honest, well-researched and refreshingly free of partisan rhetoric.
A tour de force in breadth and depth.Pub Date: Feb. 18, 2011
ISBN: 978-0313386343
Page Count: 307
Publisher: Praeger
Review Posted Online: May 18, 2011
Review Program: Kirkus Indie
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlanticsenior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
A zesty, energetic history, not only of a building, but of more than a century of American culture.
A revealing biography of the fabled Manhattan hotel, in which generations of artists and writers found a haven.
Turn-of-the century New York did not lack either hotels or apartment buildings, writes Tippins (February House: The Story of W. H. Auden, Carson McCullers, Jane and Paul Bowles, Benjamin Britten, and Gypsy Rose Lee, Under One Roof In Wartime America, 2005). But the Chelsea Hotel, from its very inception, was different. Architect Philip Hubert intended the elegantly designed Chelsea Association Building to reflect the utopian ideals of Charles Fourier, offering every amenity conducive to cooperative living: public spaces and gardens, a dining room, artists’ studios, and 80 apartments suitable for an economically diverse population of single workers, young couples, small families and wealthy residents who otherwise might choose to live in a private brownstone. Hubert especially wanted to attract creative types and made sure the building’s walls were extra thick so that each apartment was quiet enough for concentration. William Dean Howells, Edgar Lee Masters and artist John Sloan were early residents. Their friends (Mark Twain, for one) greeted one another in eight-foot-wide hallways intended for conversations. In its early years, the Chelsea quickly became legendary. By the 1930s, though, financial straits resulted in a “down-at-heel, bohemian atmosphere.” Later, with hard-drinking residents like Dylan Thomas and Brendan Behan, the ambience could be raucous. Arthur Miller scorned his free-wheeling, drug-taking, boozy neighbors, admitting, though, that the “great advantage” to living there “was that no one gave a damn what anyone else chose to do sexually.” No one passed judgment on creativity, either. But the art was not what made the Chelsea famous; its residents did. Allen Ginsberg, Bob Dylan, Andy Warhol, Janis Joplin, Leonard Cohen, Robert Mapplethorpe, Phil Ochs and Sid Vicious are only a few of the figures populating this entertaining book.
A zesty, energetic history, not only of a building, but of more than a century of American culture.Pub Date: Dec. 3, 2013
ISBN: 978-0-618-72634-9
Page Count: 448
Publisher: Houghton Mifflin Harcourt
Review Posted Online: Sept. 18, 2013
Kirkus Reviews Issue: Oct. 1, 2013
BOOK REVIEW
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