A serviceable introduction to a man who helped shape his culture.
Before he became a circus impresario, Phineas Taylor Barnum (1810-1891) was already one of the most famous men in America.
In an admiring and mostly entertaining biography, American Scholar editor Wilson (Mathew Brady: Portraits of a Nation, 2013, etc.) traces Barnum’s flamboyant career through decades of successes, financial scandals, failures, and reinvention. A brash showman, museum owner, sought-after lecturer, real estate developer, banker, Connecticut state legislator, Bridgeport mayor, and bestselling author, Barnum, in all his endeavors, “was a promoter and self-promoter without peer, a relentless advertiser” of events and exhibits that attracted the “feverish interest” of audiences in America and abroad. Drawing liberally on Barnum’s several autobiographies and collected letters, the author reprises many familiar episodes, especially his promotion of hoaxes, such as Joice Heth, a blind, toothless African American woman whom Barnum exhibited as a former nursemaid to George Washington; the upper body of a small monkey attached to the lower half of a large fish, which Barnum touted as the “Fejee Mermaid”; and an 18-year-old microcephalic black man whom Barnum dressed in a furry ape costume and exhibited as a missing link between human and animal. Feeding viewers’ desire for physical oddities, Barnum featured exhibits of several “small people,” such as Charles Stratton, who became General Tom Thumb and eventually married, to great fanfare, a “charming female little person,” whom Barnum also put under contract. While acknowledging the racism and exploitation inherent in these exhibits, as well as Barnum’s attitudes toward captured wild animals, Wilson gently portrays Barnum as a man of his time. In the 1850s, he pushed in a new direction, proselytizing for the temperance movement and emphasizing the educational benefits of his American Museum. He signed a world-famous Swedish opera singer, Jenny Lind, whose concerts were phenomenal successes. In 1871, Barnum directed his showmanship to “a museum, menagerie, caravan and hippodrome” that marked the beginning of his illustrious circus career.
A serviceable introduction to a man who helped shape his culture.Pub Date: Aug. 6, 2019
ISBN: 978-1-5011-1862-3
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: April 22, 2019
Kirkus Reviews Issue: May 15, 2019
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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