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AN AMERICAN MOSAIC

PROSE AND POETRY BY EVERYDAY FOLK

An appealing collection of simple but diverse writings by seldom-heard American voices. A teacher and a former Chicago Tribune columnist, Wolf has amassed selections culled from nine years of conducting writing workshops with amateurs in various rural communities. Wolf hears America singing by recording poems and essays by the homeless, farmers, commune inhabitants, and residents of small river towns—the most common and least represented element in our urban, urbane culture. What weaves these pieces together is a sense of sadness and nostalgia because a way of life is disappearing. Wolf sees the rapid technological advances of the past few decades as increasingly dehumanizing. Jettisoned in its wake, he theorizes, are the thousands of mentally ill homeless, the newly unemployed and impoverished, the low-tech and depressed small-town dwellers, and the abandoned company ghosts of the manufacturing era. Local education has failed in the misery belt “because those driving this society are, as a class, anti-intellectual and unimaginative.” These elegiac themes dominate. The homeless bemoan the lack of decent employment; the farmers recall a bucolic past before pesticides and conglomerates—when they were “embraced by the land”; and the children of provincial midwestern towns are eager to leave their homes and dead-end futures. Among the older generation, any machines that don—t improve phones or TVs can only bring trouble. One of the anthology’s standouts is Mary Ann Fels, who graphically describes her decision to break with some of the formal, decor-related wedding traditions of the Amana Church in Iowa, where the wrong haircut earned one excommunication. The old German Board of Trustees were anxious to host the increasingly rare ceremony, but they asked the couple “not to do anything too wild.” None of the contributions will be mistaken for literature, yet the writers have much to say that has not been heard and is worth preserving. A vivid, folk-art look into rarely documented American lives.

Pub Date: June 1, 1999

ISBN: 0-19-513264-5

Page Count: 368

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1999

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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