CHRISTIANITY IN THE TWENTY-FIRST CENTURY

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CHRISTIANITY IN THE TWENTY-FIRST CENTURY

Name: CHRISTIANITY IN THE TWENTY-FIRST CENTURY
Author: Robert Wuthnow
ISBN: 0-19-507957-4

REFLECTIONS ON THE CHALLENGES AHEAD

by Robert Wuthnow ‧ RELEASE DATE: April 1, 1993

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Wuthnow (Social Sciences/Princeton), usually an elegant chronicler of social trends (Acts of Compassion, 1991, etc.), stumbles with this dull look at the future of the church. Part of the problem is Wuthnow's too-narrow focus. Instead of fulfilling the title's promise, he writes almost exclusively about American Protestantism, which represents only a small segment of Christianity; moreover, within this limited range, he spends much of his time clucking over the collapse of liberal churches (with which he identifies) and the groundswell of fundamentalism. His predictions seem on target, perhaps because they're unsurprising: Fundamentalism will move away from televangelism toward decentralized, social-oriented service (as Jerry Falwell has already done); American youth will suffer from a lack of decent role models, with cartoon superheroes taking the place once reserved for the local pastor; Christian denominations will continue to proliferate, with worshippers hopping between various churches; Christianity as a whole must continue to find its strength in community. These prophecies are scattered throughout the book, as are several intriguing themes that, more clearly presented, might have made compelling studies on their own: One is the importance of narrative in shaping our religious and ethical lives; another is the way in which liberal analysts—Wuthnow singles out Bishop John Spong—have misread fundamentalism, which the author sees as a ``dynamic process'' with its own ``cultural capital'' rather than as simply a reaction to modernity. In the course of his research, Wuthnow interviewed numerous church members and ministers; their comments add color to the discussion, but do little to overcome the overall vagueness. A very cloudy crystal ball.

Pub Date: April 1, 1993

ISBN: 0-19-507957-4

Page Count: 256

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1993

Categories:

GENERAL NONFICTION

- BOOK REVIEW
WHY RELIGION IS GOOD FOR AMERICAN DEMOCRACY
by Robert Wuthnow

- BOOK REVIEW
THE LEFT BEHIND
by Robert Wuthnow

- BOOK REVIEW
ROUGH COUNTRY
by Robert Wuthnow

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.