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THE LOST

Another multilayered crime saga from Kray (The Pact, 2007, etc.), long on plot but short on style. A panorama of supporting...

Ghosts of long-dead crimes are best left undisturbed.

During a fruitless interview at a prison, dogged London newshound Len Curzon spots a lead in the person of an unidentified blonde beauty chatting with disgraced politician Paul Deacon, who has been incarcerated for shooting crime boss Jimmy Keppell’s handsome son Tony. Deacon’s motive was murky; now Len muses that Tony may have been Deacon’s lover. From deep in his memory, Len pulls a hunch: that the young woman is Grace, the grown-up daughter of Sharon Harper, an infamous woman in another memorable story from two decades ago. At a pub called The Whistle, Len chats with ex-cop Harry Lind, currently in the doghouse with his live-in love Valerie. Harry’s now a private eye hired by not-quite-legitimate nightclub owner Ray Stagg to find his missing brother-in-law Al. Stagg’s sister Denise is crazed with worry. Harry learns, unsurprisingly, that revenge is the real motive for Stagg’s search, and the reader soon discovers that Keppel and Stagg are thick as thieves. Before Len can decide whether to pursue the case of Grace Harper, who now calls herself Ellen Shaw, he’s murdered, and Harry’s case takes center stage for Valerie, an investigator who’s not only Harry’s better half but a detective sergeant.

Another multilayered crime saga from Kray (The Pact, 2007, etc.), long on plot but short on style. A panorama of supporting characters adds both interest and potential confusion.

Pub Date: May 1, 2008

ISBN: 978-1-56947-506-5

Page Count: 416

Publisher: Soho Constable

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2008

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BLUEBIRD, BLUEBIRD

From the Darren Mathews series , Vol. 1

Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for...

What appears at first to be a double hate crime in a tiny Texas town turns out to be much more complicated—and more painful—than it seems.

With a degree from Princeton and two years of law school under his belt, Darren Mathews could have easily taken his place among the elite of African-American attorneys. Instead, he followed his uncle’s lead to become a Texas Ranger. “What is it about that damn badge?” his estranged wife, Lisa, asks. “It was never intended for you.” Darren often wonders if she’s right but nonetheless finds his badge useful “for working homicides with a racial element—murders with a particularly ugly taint.” The East Texas town of Lark is small enough to drive through “in the time it [takes] to sneeze,” but it’s big enough to have had not one, but two such murders. One of the victims is a black lawyer from Chicago, the kind of crusader-advocate Darren could have been if he’d stayed on his original path; the other is a young white woman, a local resident. Both battered bodies were found in a nearby bayou. His job already jeopardized by his role in a race-related murder case in another part of the state, Darren eases his way into Lark, where even his presence is enough to raise hackles among both the town’s white and black residents; some of the latter, especially, seem reluctant and evasive in their conversations with him. Besides their mysterious resistance, Darren also has to deal with a hostile sheriff, the white supremacist husband of the dead woman, and the dead lawyer’s moody widow, who flies into town with her own worst suspicions as to what her husband was doing down there. All the easily available facts imply some sordid business that could cause the whole town to explode. But the deeper Darren digs into the case, encountering lives steeped in his home state’s musical and social history, the more he begins to distrust his professional—and personal—instincts.

Locke, having stockpiled an acclaimed array of crime novels (Pleasantville, 2015, etc.), deserves a career breakthrough for this deftly plotted whodunit whose writing pulses throughout with a raw, blues-inflected lyricism.

Pub Date: Sept. 12, 2017

ISBN: 978-0-316-36329-7

Page Count: 336

Publisher: Mulholland Books/Little, Brown

Review Posted Online: June 19, 2017

Kirkus Reviews Issue: July 1, 2017

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COLD COLD HEART

A top-notch psychological thriller.

In Hoag’s (The 9th Girl, 2013, etc.) latest, talented young newscaster Dana Nolan is left to navigate a psychological maze after escaping a serial killer.

While recuperating at home in Shelby Mills, Indiana, Dana meets her former high school classmates John Villante and Tim Carver. Football hero Tim is ashamed of flunking out of West Point, and now he’s a sheriff’s deputy. After Iraq and Afghanistan tours, John’s home with PTSD, "angry and bitter and dark." Dana survived abduction by serial killer Doc Holiday, but she still suffers from the gruesome attack by "the man who ruined her life, destroyed her career, shattered her sense of self, damaged her brain and her face." What binds the trio is their friend Casey Grant, who's been missing five years, perhaps also a Holiday victim, even if "[t]he odds against that kind of coincidence had to be astronomical." Hoag’s first 100 pages are a gut-wrenching dissection of the aftereffects of traumatic brain injury: Dana is plagued by "[f]ear, panic, grief, and anger" and haunted by fractured memories and nightmares. "Before Dana had believed in the inherent good in people. After Dana knew firsthand their capacity for evil." Impulsive and paranoid, Dana obsesses over linking Casey’s disappearance to Holiday, with her misfiring brain convincing her that "finding the truth about what had happened to Casey [was] her chance of redemption." But then Hoag tosses suspects into the narrative faster than Dana can count: Roger Mercer, Dana’s self-absorbed state senator stepfather; Mack Villante, who left son John with "no memories of his father that didn’t include drunkenness and cruelty"; even Hardy, the hard-bitten, cancer-stricken detective who investigated Casey’s disappearance. Tense, tightly woven, with every minor character, from Dana’s fiercely protective aunt to Mercer’s pudgy campaign chief, ratcheting up the tension, Hoag’s narrative explodes with an unexpected but believable conclusion.

A top-notch psychological thriller.

Pub Date: Jan. 13, 2015

ISBN: 978-0-525-95454-5

Page Count: 368

Publisher: Dutton

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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