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The Bennett Women

Despite its sometimes too-neat storyline, readers may find merit in this novel’s exploration of the challenges of aging...

In this novel set in 2012, a harrowing health scare for a family matriarch spurs emotional crises for her Fortune 500 company CEO daughter and musically talented granddaughter.

Muriel Bennett, a grandmother with a quick wit and a steadfast dedication to her own independence, has lived for decades in her cherished Pacific Northwest lakeside home. One day, her best friend, Catherine, discovers her barely conscious on her kitchen floor. While recovering in the hospital from what’s revealed to be a collapsed lung, Muriel’s condition prompts her successful, no-nonsense daughter Susanne to make the drastic, controversial decision to move Muriel to an assisted living facility. Before that move materializes, Susanne’s cello-playing daughter, Lilia—who’s hurt that she wasn’t called about Muriel’s health turn—intervenes with an alternate plan to keep Muriel at home, near the friends she dearly loves. As tensions come to a head, Muriel’s good friend Benjamin is involved in a fatal accident, which makes the book’s tempo falter. Eventually, the Bennett women’s disagreements uncover old pains surrounding Susanne’s brother’s death in the Vietnam War and a dark secret that’s long weighed on Lilia. In this novel, Carr (The Foundation, 2014, etc.) paints a portrait of three family generations that’s often pleasantly paced. However, it’s sometimes overly reliant on summary, and some plot developments strain believability, such as when Susanne’s Vietnamese translator and guide winds up showing her the very site where her brother was killed. The dialogue tends to favor easy aphorism over specificity (“You get one shot at life, Lilia,” says Muriel. “Please carve out one that brings you joy”), giving the novel the cadence of a well-worn fable, instead of a story about a particular family. Midway through the novel, however, Carr introduces a plotline that offers supporting dramatic tension, involving Lilia’s attraction to Benjamin’s handsome, computer-whiz grandson, Matthew, and their will-they-or-won’t-they dance.

Despite its sometimes too-neat storyline, readers may find merit in this novel’s exploration of the challenges of aging loved ones. 

Pub Date: July 8, 2015

ISBN: 978-0-692-44979-0

Page Count: 320

Publisher: CreateSpace

Review Posted Online: Aug. 28, 2015

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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