A potentially gripping tale undermined by its frustrating heroine.
A young lawyer neglects her friends and family as she stubbornly tries to help a sex trafficking victim in Carr’s (The Vernazza Effect, 2013) second novel.
Attorney Tara Collins unexpectedly receives a large sum of money as a gift from her newly married best friend Ella. With it, she decides to create a nonprofit foundation within her San Francisco law firm to help those who can’t afford legal aid. Its board is made up of Assistant District Attorney Brett, who happens to be Tara’s secret boyfriend; social worker Chad; and journalist Jordan (who bizarrely reports on both the law firm and the foundation, in a seemingly textbook case of conflict of interest). For the foundation’s fourth case, she convinces the board members to take on Ashlee, a young teen who was found beaten and left for dead in an alley. Ashlee is too frightened to talk, so Tara begins spending nights with her in the hospital and playing private detective in between visits. Her actions begin to concern Brett and her other colleagues, who insist that she involve the police. Some readers will admire the go-it-alone bravado of the workaholic, emotional Tara. Others, however, may be less impressed by her lack of sense as she jeopardizes her relationships as well as the personal safety of everyone around her. She also undermines her chances of putting away a very bad man due to her dogged insistence on solving the case alone. On the surface, it’s a noble cause, but it may become difficult for readers to applaud her as she continues to take misstep after misstep. (Relief comes, however, when the narrative focuses on Alexander, Ashlee’s high-flying pimp.) The novel’s opening and closing chapters are also lengthy and uninspired. However, patient readers may still find a compelling story about surviving forced prostitution here.
A potentially gripping tale undermined by its frustrating heroine.Pub Date: Aug. 6, 2014
ISBN: 978-0692201022
Page Count: 412
Publisher: CreateSpace
Review Posted Online: Oct. 18, 2014
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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