While the dreamlike nature of the images is fairly accessible, children (and adults) may find themselves stopped cold by...

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A NIGHT TIME STORY

A winner of the Lazarillo Award, the prize in Spain for children’s literature, Aliaga weaves a tale translated into English with mixed results.

Wimmer’s pictures are surreal and dreamlike: colors soft and deep; pigs with wings and pirates piloting tea cups and beds that turn into camels. Figures are stretched and elongated and change their shapes like Alice with the mushroom. The red-haired, golden-eyed child says, “Every night before I go to sleep, she sits down on my bed with heaps of stories in her hands.” "She" is a figure with endless tendrils of black hair and bright blue eyes. When the girl is on a Ferris wheel in a sweet story, she rises up in a starlit cloak to hand the child some cotton candy. For a magical story, the child’s bed is in a tree, and disembodied hands hold her, teaching her “to sing and fly.” At the end, “the night sits on my bed, with heaps of dreams in her hands,” cradling the tiny child, bed and all. The mother/storyteller/night image is lovely in pictures, but some of the language is ungraceful or obscure: “I’m always the main character,” or “in search of a mirage....”

While the dreamlike nature of the images is fairly accessible, children (and adults) may find themselves stopped cold by nonrhythmic sentence structure. (Picture book. 5-8)

Pub Date: Oct. 1, 2012

ISBN: 978-84-15-24198-0

Page Count: 24

Publisher: Cuento de Luz

Review Posted Online: Aug. 8, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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An engaging mix of gentle behavior modeling and inventive story ideas that may well provide just the push needed to get some...

RALPH TELLS A STORY

With a little help from his audience, a young storyteller gets over a solid case of writer’s block in this engaging debut.

Despite the (sometimes creatively spelled) examples produced by all his classmates and the teacher’s assertion that “Stories are everywhere!” Ralph can’t get past putting his name at the top of his paper. One day, lying under the desk in despair, he remembers finding an inchworm in the park. That’s all he has, though, until his classmates’ questions—“Did it feel squishy?” “Did your mom let you keep it?” “Did you name it?”—open the floodgates for a rousing yarn featuring an interloping toddler, a broad comic turn and a dramatic rescue. Hanlon illustrates the episode with childlike scenes done in transparent colors, featuring friendly-looking children with big smiles and widely spaced button eyes. The narrative text is printed in standard type, but the children’s dialogue is rendered in hand-lettered printing within speech balloons. The episode is enhanced with a page of elementary writing tips and the tantalizing titles of his many subsequent stories (“When I Ate Too Much Spaghetti,” “The Scariest Hamster,” “When the Librarian Yelled Really Loud at Me,” etc.) on the back endpapers.

An engaging mix of gentle behavior modeling and inventive story ideas that may well provide just the push needed to get some budding young writers off and running. (Picture book. 6-8)

Pub Date: Sept. 18, 2012

ISBN: 978-0761461807

Page Count: 32

Publisher: Amazon Children's Publishing

Review Posted Online: Aug. 22, 2012

Kirkus Reviews Issue: Sept. 1, 2012

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Teachers will certainly find themselves wishing for their own arsenal of supplies to help them with their grading, and...

THE LITTLE RED PEN

Obviously inspired by "The Little Red Hen," this goes beyond the foundation tale's basic moral about work ethic to explore problem solving, teamwork and doing one’s best.

Nighttime at school brings the Little Red Pen out of the drawer to correct papers, usually aided by other common school supplies. But not this time. Too afraid of being broken, worn out, dull, lost or, worst of all, put in the “Pit of No Return” (aka trash), they hide in the drawer despite the Little Red Pen’s insistence that the world will end if the papers do not get corrected. But even with her drive she cannot do it all herself—her efforts send her to the Pit. It takes the ingenuity and cooperation of every desk supply to accomplish her rescue and to get all the papers graded, thereby saving the world. The authors work in lots of clever wordplay that will appeal to adult readers, as will the spicy character of Chincheta, the Mexican pushpin. Stevens’ delightfully expressive desk supplies were created with paint, ink and plenty of real school supplies. Without a doubt, she has captured their true personalities: the buck-toothed stapler, bespectacled scissors and rather empty-headed eraser.

Teachers will certainly find themselves wishing for their own arsenal of supplies to help them with their grading, and students may take a second glance at that innocuous-looking red pen on the teacher’s desk. (Picture book. 5-8)

Pub Date: April 18, 2011

ISBN: 978-0-15-206432-7

Page Count: 56

Publisher: Harcourt

Review Posted Online: April 6, 2011

Kirkus Reviews Issue: March 15, 2011

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