Illustrator Emberley (Welcome Back, Sun, 1993, etc.) has teamed up with Harris (Hot Henry, 1987, etc.) to present more ethnic and sexual diversity than New York City's Rainbow Curriculum ever bargained for as they battle all concepts non-PC: They take swings at ageism (``People have sexual intercourse well into old age'') and at homophobia in the military (pointing out that, in ancient Sparta, it was thought ``that if a warrior was in the same regiment as his lover, he would fight harder in order to impress him''). But there's more information than polemic here, as the reader is guided by a corny but never condescending pair—an uninhibited bird and a repressed bee—through puberty, anatomy, reproduction, and a sense of the emotional weight that accompanies sexuality. The book intelligently covers birth-control options, how to have safer sex, how to treat STDs, and, in an especially impressive chapter, how to combat sexual abuse—all without patronizing the pre- or post-pubescent. Emberley's illustrations are often as funny as they are informative. With affirmations of homosexuality and masturbation—``it's perfectly normal''—and a choice-leaning (yet cautious) discussion on abortion, this volume will be anathema to social conservatives. But for parents who fear that a school sex-ed class may not be informative enough, it will certainly aid that dreaded birds-and-bees discussion. A terrific teaching tool that just may help slow the spread of sexual diseases and ignorance. (Nonfiction. 10-14)
Pub Date: Oct. 1, 1994
ISBN: 1-56402-199-8
Page Count: 96
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1994
When Clara Luna, 14, visits rural Mexico for the summer to visit the paternal grandparents she has never met, she cannot know her trip will involve an emotional and spiritual journey into her family’s past and a deep connection to a rich heritage of which she was barely aware. Long estranged from his parents, Clara’s father had entered the U.S. illegally years before, subsequently becoming a successful business owner who never spoke about what he left behind. Clara’s journey into her grandmother’s history (told in alternating chapters with Clara’s own first-person narrative) and her discovery that she, like her grandmother and ancestors, has a gift for healing, awakens her to the simple, mystical joys of a rural lifestyle she comes to love and wholly embrace. Painfully aware of not fitting into suburban teen life in her native Maryland, Clara awakens to feeling alive in Mexico and realizes a sweet first love with Pedro, a charming goat herder. Beautifully written, this is filled with evocative language that is rich in imagery and nuance and speaks to the connections that bind us all. Add a thrilling adventure and all the makings of an entrancing read are here. (glossaries) (Fiction. 12-14)
Pub Date: Sept. 12, 2006
ISBN: 0-385-73343-7
Page Count: 272
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2006
This is a minor quibble with a story that imagines so clearly for American readers the travails of all-too-many Latin...
A 12-year-old girl bears witness to the Dominican Revolution of 1961 in a powerful first-person narrative.
The story opens as Anita’s cousins (the Garcia girls of Alvarez’s 1991 adult debut, How the Garcia Girls Lost Their Accents), hurriedly pack to leave the country. This signals the end of childhood innocence for Anita. In short succession, her family finds the secret police parked in their driveway; the American consul moves in next door; and her older sister Lucinda is packed off to join her cousins in New York after she attracts the unwelcome attention of El Jefe Trujillo, the country’s dictator. Anita’s family, it seems, is intimately involved with the political resistance to Trujillo, and she, perforce, is drawn into the emotional maelstrom. The present-tense narrative lends the story a gripping immediacy, as Anita moves from the healthy, self-absorbed naïveté of early adolescence to a prematurely aged understanding of the world’s brutality. Her entree into puberty goes hand in hand with her entree into this adult world of terror: “I don’t want to be a señorita now that I know what El Jefe does to señoritas.” According to an author’s note, Alvarez (How Tía Lola Came to Visit Stay, 2001, etc.) drew upon the experiences of family members who stayed behind in the Dominican Republic during this period of political upheaval, crafting a story that, in its matter-of-fact detailing of the increasingly surreal world surrounding Anita, feels almost realer than life. The power of the narrative is weakened somewhat by the insertion of Anita’s diary entries as she and her mother take shelter in the Italian Embassy after her father’s arrest. The first-person, present-tense construction of the diary entries are not different enough from the main narrative to make them come alive as such; instead, the artifice draws attention to itself, creating a distraction.
This is a minor quibble with a story that imagines so clearly for American readers the travails of all-too-many Latin nations then and now. (Fiction. 10-14)Pub Date: Aug. 13, 2002
ISBN: 0-375-81544-9
Page Count: 160
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2002
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