No other bestselling author crunches the language quite like Cook, but he does know how to make his pages fly—which is what made last year's dull Blindsight so unforgivable. Not so this newest, which finds Cook back on track—like a runaway locomotive- -with a manically entertaining thriller. Sean Murphy is a brash son of Boston's Irish ghetto, a reformed thief whose brains have gotten him into Harvard Med. Now Sean's heading for Miami's Forbes Cancer Center, which has a mysterious 100% success rate treating medulloblastoma, a type of brain cancer. Once south, though, Sean finds that the Center's head, Randolph Mason, wants him to work not on the ``medulloblastoma protocol'' but on crystallizing ``murine monoclonal antibodies'' (Cook pours on the medical know-how here). Moreover, Janet Reardon, the nurse/lover Sean dumped in Boston, has followed Sean to Forbes. But never mind: Sean decides to steal Forbes's research and give it to the world, and to enlist Janet's help. When Forbes's Japanese backers learn of Sean's aim, though, they send an assassin after him; but the killer has to get in line behind the p.i. that Mason has hired to look into Sean, and the Nazi-like head of Forbes security—not to mention Forbes's resident orderly/serial-killer (no threat to Hannibal Lecter, though he does keep his dead mom in a freezer) who's been ``liberating'' patients, and who decides that Janet is on to him. A madcap chase to Key West and back winds up with Sean taking Mason hostage. Will a SWAT team neutralize Sean before he can prove that the medulloblastoma protocol is key to an evil scheme to fund the money-starved Clinic? All this antic action, and a Message about the financial plight of medical research too: So what if Janet finds her heart ``pounding and knowing her face is flushed''? Chalk up another big one for Cook. (Literary Guild Dual Selection for Winter)
Pub Date: Jan. 4, 1993
ISBN: 0-399-13771-8
Page Count: 448
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1992
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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