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THE WOMAN WHO WASN'T THERE

THE TRUE STORY OF AN INCREDIBLE DECEPTION

A disquieting retelling of 9/11 by one survivor with a surprising twist.

The story of the startling disclosure of a 9/11 survivor who wasn’t actually there.

Fisher (Narrative Journalism/Rutgers Univ.; After the Fire, 2008, etc.) and filmmaker Guglielmo team up to bring readers a page-turning account of Tania Head, a survivor of the World Trade Center attacks. Vivid details place readers at the scene of 9/11 during and after the attacks, which may be painful reading for some readers. Injured when one of the planes struck the 78th-floor sky lobby of the South Tower, Head not only survived this near-death experience but also bore the tragedy of losing her new husband in the collapse of the North Tower. She rose to acclaim in the years after 9/11 by starting the World Trade Center Survivors’ Network, where guilt-laden men and women could openly voice their distress about the events of that day. Head also helped lead the campaign to save the Survivor Stairway, “thirty-seven steps that had once connected the plaza outside the towers to the street below,” which was used by hundreds fleeing the buildings on 9/11. However, as the narrative progresses, readers begin to see small discrepancies in Head’s story, along with her terrible mood swings and violent physical reactions to reliving that fateful day. Under extreme pressure to conduct an interview with the New York Times in 2007, Head broke down, and her elaborate and fake story fully emerged. She soon disappeared. Members of the Survivors’ Network were left to wonder why someone would go to such lengths to gain notoriety, especially when it involved so many who had survived real damage on that day.

A disquieting retelling of 9/11 by one survivor with a surprising twist.

Pub Date: April 3, 2012

ISBN: 978-1-4516-5208-6

Page Count: 288

Publisher: N/A

Review Posted Online: Jan. 15, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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