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Queen Lilly Fly By Night

The story delivers on demons, vampires and bloody mayhem, but skimps on finer, animating nuances.

Vampires anxiously wait for the awakening of their queen; when she arrives, all hell breaks loose.

Jessup’s debut horror novel overflows with blood and gore, and quite a few intriguing characters. Satan plots to unleash vicious, demonic vampires on the world and install a queen to rule them all. It starts with Artimus, who promises his soul to Satan for wealth and power, but after death, he must return to Earth as a creature of the night. He soon finds his survival depends on feasting on humans and building a discipleship for Satan and the future queen. Artimus rapes a young maiden and impregnates her with his demon seed; it’s through this woman’s descendants that the queen will emerge. Artimus also taps Baltazar to be his chief disciple, since Baltazar displayed natural demonic qualities as a human. When Baltazar must take over as leader, he, in turn, creates two other savage beasts as his cohorts. They prepare for their queen, and her reign, but they must wait for more than 100 years for her to appear. In the meantime, the vampires prey and feast on the innocent. When Lilly—the awaited vampire queen—arrives, she’s not only unaware of her destiny, it turns out she has a will of her own. It’s a good setup, but too much goes unexplored; character motivation is anemic, for example. Lilly’s story holds potent drama, even before she awakens, but the novel doesn’t supply her backstory. Without it, we don’t understand why she differs so greatly from her kind. The novel delivers some terrific scenes (one involves a particularly vicious vampire who spares a victim), but just as often information is explained rather than dramatized. This novel is not for the faint of heart or children, as Jessup does not shy away from spilled guts or sex. It also needs careful editing and proofing.

The story delivers on demons, vampires and bloody mayhem, but skimps on finer, animating nuances.

Pub Date: Feb. 20, 2012

ISBN: N/A

Page Count: 148

Publisher: Amazon Digital Services

Review Posted Online: June 6, 2013

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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