A riveting thriller and a welcome third installment of a series; the author is definitely a writer to watch.
This novel poses two tantalizing questions: What happened to a young investigator, and why are people in Half Moon, Vermont, having mysterious health problems?
Jude Brannock, a senior investigator at the animal rights group The Kinship, has given Tim Mains an undercover assignment: Infiltrate the facility at Amaethon Industries and, if the company is flouting the Animal Welfare Act, document it. Tim is not only a rookie, but also Jude’s sometime lover. When reports from him suddenly stop, a worried Jude is off to Half Moon. Right off the bat, she is told that Tim has seduced young Heather Buck and introduced her to heroin (Jude is incredulous, rightly so). But drugs are definitely a big thing in little Half Moon, and soon Jude is nosing around that dangerous scene. Meanwhile, residents are showing up with heavy bruising, nosebleeds that won’t stop, and similar afflictions indicative of blood thinners. Oh, and Jude is having attacks of vision loss. Animals are suffering at Amaethon, but that may not be the worst of it. There may be a biotech disaster connected to the company’s experiments with “plant made pharmaceuticals.” The trials may have somehow gotten out of control. Could the PMPs be causing the rampant hemorrhaging? Jude eventually figures out who is to blame for the medical crisis and tries to bring the bad guys to justice in the hair-raising final chapters. What most impresses in Lamont’s (The Trap, 2015, etc.) third volume of her Kinship series is that things and people are not what they seem. Could Tim be a double agent? And then there’s Heather: The Bucks think that their daughter is innocence personified. A drug dealer named Bobby Gravaux is no saint, but is he a killer? Jude even suspects kindly Dr. John Harbolt of wrongdoing. So the author does a remarkable job of keeping readers off balance. Lamont also clearly explains PMPs, a plot point that involves real-world science, not fiction, and teases readers with the side issue of Jude’s periodic blindness. In addition, the author can deftly summon up a clipped style that reveals character as much as subject. Here Lamont describes a black mutt: “Very thin. Very fearful. And in this state, very dangerous.”
A riveting thriller and a welcome third installment of a series; the author is definitely a writer to watch.Pub Date: May 16, 2019
ISBN: 978-0-9858485-8-3
Page Count: 288
Publisher: Grayling Press
Review Posted Online: July 30, 2019
Kirkus Reviews Issue: Sept. 15, 2019
Review Program: Kirkus Indie
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
In his quest for easy moolah, Owen learns that the road to financial solvency can be rocky and fraught with work. Greene (Owen Foote, Soccer Star, 1998, etc.) touches upon the often-thorny issue of chores and allowances: Owen’s mom wants him to help out because he’s part of the family and not just for the money—while Owen wants the money without having to do tedious household chores. This universal dilemma leaves Owen without funds and eagerly searching for ways to make a quick buck. His madcap schemes range from original—a “free” toilet demonstration that costs 50 cents—to disastrous, as during the trial run of his children’s fishing video, Owen ends up hooking his ear instead of a trout. Enlisting the aid of his stalwart, if long-suffering, friend Joseph, the two form a dog-walking club that becomes vastly restricted in clientele after Owen has a close encounter with an incontinent, octogenarian canine. Ultimately, Owen learns a valuable lesson about work and money when an unselfish action is generously rewarded. These sudden riches motivate Owen to consider wiser investments for his money than plastic vomit. Greene’s crisp writing style and wry humor is on-target for young readers. Brief chapters revolving around a significant event or action and fast pacing are an effective draw for tentative readers. Weston’s (Space Guys!, p. 392, etc.) black-and-white illustrations, ranging in size from quarter- to full-page, deftly portray Owen’s humorous escapades. A wise, witty addition to Greene’s successful series. (Fiction. 8-10)
Pub Date: Sept. 18, 2000
ISBN: 0-618-02369-0
Page Count: 96
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2000
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