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The Children of the Children

An intriguing premise gets lost in this novel’s ambitious scope.

McMillion’s novel chronicles a disturbing cult and the members caught up in its corruption.

As the Iron Curtain begins to fall, opening Eastern Europe to the West, a ragged teenager named Geoffrey “David” Calvert comes to the American embassy in Prague, hoping to gain entry to the United States. David explains that he has lived his entire life in Europe as part of The Fishermen, a well-known Christian cult. After a childhood of abuse and darkness, David hopes to escape to something better. The narrative then shifts to 1969 Austin, Texas, where David’s father, Danny, is a student on the verge of flunking out and getting into some serious trouble for selling pot. By chance—or perhaps divine intervention, as his new friends, The Fishermen, will insist—Danny winds up in San Francisco, learning the teachings of the charismatic Father Joseph. At first, his small group simply distributes Father Joseph’s letters around Haight Ashbury, trying to convert lonely hippies into new cult members. As their numbers grow and their philosophies and hierarchies evolve, The Fishermen move east to avoid scrutiny, eventually branching out all over Western Europe. Father Joseph begins bending rules of sexual conduct to fit his own personal (and abominable) desires and increase revenue via sex work. Danny finds himself in a love triangle with his wife, Martha (the eventual mother of David), and Deborah, a woman growing uncomfortable with the Fishermen’s increasingly disturbing sexual practices. But breaking out of Father Joseph’s psychic clutches is a tall order. As David comes of age and becomes a victim of physical and sexual abuse himself, he sets off on the path that will eventually lead him to Prague as he starts to question Father Joseph as well: “His instinct told him it was wrong, as his faith told him it was not.”

McMillion’s subject and setting are fascinating, and the parallels between the protest energy of the late 1960s and the allure of a cult cut off from mainstream society lend a sharp and smart context to the novel. There are several scary and perfectly succinct explanations of how someone like Danny could get drawn into Father Joseph’s web. (“If deception is the art of convincing someone that what one knows to be false is true, then conversion is convincing him of what neither party can prove one way or the other,” the author writes in a truly standout moment.) However, the novel’s ambitious scope—the narrative spans two decades, a dozen complicated households, and too many countries to even list—overshadows the smaller, more disquieting moments. McMillion tries to pack in as much detail as possible, but this results in large chunks of writing that feel like nonfiction reportage rather than advancements of the engrossing emotional arcs already in place. This is felt most acutely in the various depictions of sexual abuse: Incidents conveyed from the point of view of characters such as Deborah or David are harrowing, while other scenes simply give cold factual accounts of Father Joseph’s horrendous proclivities. After the cult’s complicated history is filled in little by little, readers finally arrive back at the opening framing scene for an emotionally resonant conclusion that nevertheless feels too little and too late following such a dense history lesson.

An intriguing premise gets lost in this novel’s ambitious scope.

Pub Date: Sept. 16, 2025

ISBN: 9798992464405

Page Count: 358

Publisher: Catchings Press

Review Posted Online: Sept. 8, 2025

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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MY FRIENDS

A tender and moving portrait about the transcendent power of art and friendship.

An artwork’s value grows if you understand the stories of the people who inspired it.

Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”

A tender and moving portrait about the transcendent power of art and friendship.

Pub Date: May 6, 2025

ISBN: 9781982112820

Page Count: 448

Publisher: Atria

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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