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A WILD AND HEAVENLY PLACE

Predictable in almost every way—but, surprisingly, no less enjoyable for it.

When, on instinct, Samuel Fiddes performs a heroic act, he sets in motion a passionate and tragic romance that will take him halfway around the world.

Glasgow in the late 1870s is a study in contrasts. There are wealthy families, like the MacIntyres, who employ dozens of servants to see to their comfort, and there are orphans like Samuel and his sister, Alison, who grew up in a Catholic orphanage until the nuns’ abuse got to be too much, and they ran away. When Samuel saves little Geordie MacIntyre from a runaway carriage, he and his sister are invited for dinner at the MacIntyres’ home, where he beholds Hailey, whom he has admired from afar at church. They begin a tentative romance, only to be ripped apart when the MacIntyres lose everything in a bank collapse and decide to emigrate to America—Washington Territory, to be exact—for the available mining work. Terrible journeys ensue, and hardship, and bitterness. Hailey marries a local miner to save her family from ruin just before Samuel arrives to find her, and the novel follows the next several years as they try to deny their passion, as Samuel becomes a successful shipbuilder, and as Hailey carries the burdens of a broken family. While Oliveira may not break genre conventions in any meaningful way, she writes with such conviction and sensory detail that one cannot help but be transported into the world of these characters, both primary and secondary, the roughness of the place, and its wild beauty. Overall, this novel is as easy to slip into as a favorite sweater; even the potentially unfamiliar setting is gorgeously rendered and always a surprise. The history of Seattle seems lesser known than many other cities of the era, and it adds a lovely note to the star-crossed love story.

Predictable in almost every way—but, surprisingly, no less enjoyable for it.

Pub Date: Feb. 13, 2024

ISBN: 9780593543856

Page Count: 416

Publisher: Putnam

Review Posted Online: Nov. 17, 2023

Kirkus Reviews Issue: Dec. 15, 2023

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NASH FALLS

Hokey plot, good fun.

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A business executive becomes an unjustly wanted man.

Walter Nash attends his estranged father Tiberius’ funeral, where Ty’s Army buddy, Shock, rips into him for not being the kind of man the Vietnam vet Ty was. Instead, Nash is the successful head of acquisitions for Sybaritic Investments, where he earns a handsome paycheck that supports his wife, Judith, and his teenage daughter, Maggie. An FBI agent approaches Nash after the funeral and asks him to be a mole in his company, because the feds consider chief executive Rhett Temple “a criminal consorting with some very dangerous people.” It’s “a chance to be a hero,” the agent says, while admitting that Nash’s personal and financial risks are immense. Indeed, readers soon find Temple and a cohort standing over a fresh corpse and wondering what to do with it. Temple is not an especially talented executive, and he frets that his hated father, the chairman of the board, will eventually replace him with Nash. (Father-son relationships are not glorified in this tale.) Temple is cartoonishly rotten. He answers to a mysterious woman in Asia, whom he rightly fears. He kills. He beds various women including Judith, whom he tries to turn against Nash. The story’s dramatic turn follows Maggie’s kidnapping, where Nash is wrongly accused. Believing Nash’s innocence, Shock helps him change completely with intense exercise, bulking up and tattooing his body, and learning how to fight and kill. Eventually he looks nothing like the dweeb who’d once taken up tennis instead of football, much to Ty’s undying disgust. Finding the victim and the kidnappers becomes his sole mission. As a child watching his father hunt, Nash could never have killed a living thing. But with his old life over—now he will kill, and he will take any risks necessary. His transformation is implausible, though at least he’s not green like the Incredible Hulk. Loose ends abound by the end as he ignores a plea to “not get on that damn plane,” so a sequel is a necessity.

Hokey plot, good fun.

Pub Date: Nov. 11, 2025

ISBN: 9781538757987

Page Count: 448

Publisher: Grand Central Publishing

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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