Suspenseful parallel lesbian love stories deftly illuminate important events in LGBTQ history.
Two Washington, D.C., lesbian teens, 62 years apart, each discover classic lesbian pulp fiction—late midcentury paperbacks depicting a shadowy world of forbidden love.
For 18-year-old Janet Jones in 1955, A Love So Strange is a revelation: She had no idea “other girls might feel the way she did.” Janet and her friend Marie, who are both assumed white, tentatively explore their growing attraction but face warnings from an African-American lesbian couple that Marie’s government job and reputation are in danger. For high school senior Abby Zimet in 2017, the world is different. She has been out to her accepting white Jewish family since ninth grade. Nursing a broken heart from the breakup with her bisexual classmate Linh, a Vietnamese-American girl, Abby turns to reading pulp novels and researching gay and lesbian life in midcentury D.C. Talley (Our Own Private Universe, 2017, etc.) adds complexity by tying Janet’s and Abby’s storylines together: Both girls write their own pulp novels, creating two additional plotlines. The books within a book are cleverly written to mimic pulp styles, and the superlative pacing will hook readers. The acknowledgments describe the author’s meticulous research and the actual historical events (e.g. the persecution of queer government employees during the Lavender Scare of the 1950s) and literature upon which the book is based. Readers familiar with D.C. may find the liberties taken with geography distracting.
Suspenseful parallel lesbian love stories deftly illuminate important events in LGBTQ history. (bibliography) (Fiction. 13-18)Pub Date: Nov. 13, 2018
ISBN: 978-1-335-01290-6
Page Count: 384
Publisher: Harlequin Teen
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)
In the three years following Eden’s brutal rape by her brother’s best friend, Kevin, she descends into anger, isolation, and promiscuity.
Eden’s silence about the assault is cemented by both Kevin’s confident assurance that if she tells anyone, “No one will ever believe you. You know that. No one. Not ever,” and a chillingly believable death threat. For the remainder of Eden’s freshman year, she withdraws from her family and becomes increasingly full of hatred for Kevin and the world she feels failed to protect her. But when a friend mentions that she’s “reinventing” herself, Eden embarks on a hopeful plan to do the same. She begins her sophomore year with new clothes and friendly smiles for her fellow students, which attract the romantic attentions of a kind senior athlete. But, bizarrely, Kevin’s younger sister goes on a smear campaign to label Eden a “totally slutty disgusting whore,” which sends Eden back toward self-destruction. Eden narrates in a tightly focused present tense how she withdraws again from nearly everyone and attempts to find comfort (or at least oblivion) through a series of nearly anonymous sexual encounters. This self-centeredness makes her relationships with other characters feel underdeveloped and even puzzling at times. Absent ethnic and cultural markers, Eden and her family and classmates are likely default white.
Eden’s emotionally raw narration is compelling despite its solipsism. (Fiction. 14-18)Pub Date: March 22, 2016
ISBN: 978-1-4814-4935-9
Page Count: 384
Publisher: McElderry
Review Posted Online: Dec. 15, 2015
Kirkus Reviews Issue: Jan. 1, 2016
An enticing, turbulent, and satisfying final voyage.
Adrian, the youngest of the Montague siblings, sails into tumultuous waters in search of answers about himself, the sudden death of his mother, and her mysterious, cracked spyglass.
On the summer solstice less than a year ago, Caroline Montague fell off a cliff in Aberdeen into the sea. When the Scottish hostel where she was staying sends a box of her left-behind belongings to London, Adrian—an anxious, White nobleman on the cusp of joining Parliament—discovers one of his mother’s most treasured possessions, an antique spyglass. She acquired it when she was the sole survivor of a shipwreck many years earlier. His mother always carried that spyglass with her, but on the day of her death, she had left it behind in her room. Although he never knew its full significance, Adrian is haunted by new questions and is certain the spyglass will lead him to the truth. Once again, Lee crafts an absorbing adventure with dangerous stakes, dynamic character growth, sharp social and political commentary, and a storm of emotion. Inseparable from his external search for answers about his mother, Adrian seeks a solution for himself, an end to his struggle with mental illness—a journey handled with hopeful, gentle honesty that validates the experiences of both good and bad days. Characters from the first two books play significant secondary roles, and the resolution ties up their loose ends. Humorous antics provide a well-measured balance with the heavier themes.
An enticing, turbulent, and satisfying final voyage. (Historical fiction. 14-18)Pub Date: Nov. 16, 2021
ISBN: 978-0-06-291601-3
Page Count: 464
Publisher: Katherine Tegen/HarperCollins
Review Posted Online: Aug. 31, 2021
Kirkus Reviews Issue: Sept. 15, 2021
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