Thoughtful social commentary meets sensual queer awakening among the Beautiful People.
After moving to Los Angeles, a biracial photographer navigates the complexities of celebrity, wealth, race, and her own past.
It starts with a bang—literally, as Cecilia Chen is rear-ended and smashes into the parked car of another woman who was just about to step through the vehicle’s open door. Thankfully, the woman is uninjured; she turns out to be Anouk Ferrand, a superstar French model and actress. Cecilia worked with Anouk decades earlier, when she was a 25-year-old assistant on a glamorous, edgy photo shoot in Cabo San Lucas for a fragrance campaign. We are quickly made aware that something problematic occurred on that trip, though after numerous flashback chapters set back in 1996, detailing the action on and off, it’s a bit frustrating that we never learn exactly what happened. These sections are presented in third-person, while the present-day action in 2015 is narrated by Cecilia herself. "Black, Asian, female, over forty, an outsider," she is doubtful that her experience in Los Angeles, where her white, French film director husband will be shooting a high-profile, big-budget project, will be as pleasant or welcoming as his. Among the most disturbing aspects is adjusting to the realities of raising non-white children in the United States, where Julien, 13, and Lucie, 11, are going to school with the offspring of one-percenters. After Cecilia delivers an apology gift to Anouk’s home, the actress gradually remembers who she is and how she was connected to The Bad Thing That Happened. In the meantime, the two have embarked on an intense and intimate new phase of their relationship. As in her debut, The Idea of You (2017), Lee’s sex scenes artfully blend the explicit with the romantic. The drama escalates as both a beloved old boyfriend of Cecilia’s and a starlet mistress of her husband’s arrive on the scene. Readers who relish an insider view of what people say and wear at gatherings of the Hollywood in crowd will find Lee’s observations sharp and often slyly funny.
Thoughtful social commentary meets sensual queer awakening among the Beautiful People.Pub Date: July 7, 2026
ISBN: 9781250412751
Page Count: 384
Publisher: St. Martin's
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Simply charming.
A lovable gaggle of competitive quilters attempts to defy the odds.
The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.
Simply charming.Pub Date: Sept. 8, 2026
ISBN: 9798890920461
Page Count: 260
Publisher: Torrey House Press
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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