Next book

THE VICTIM'S DAUGHTER

From poet and short-story writer Wilson (Dancing for Men; Living Alone; Terrible Kisses), a first novel that tries for psychological depth but, in this longer form, lingers on the shoals of formula instead. As luck would have it, Melissa Allen's divorced father is murdered in his house on the very night that Melissa comes home for her 15th high-school reunion in the small town of Scoggin, Maine— to discover her father, in his study, with his skull caved in. This isn't Melissa's first acquaintance with violence and blood. At age 15, she had an abortion (to her it was murder); her own husband, a deranged Vietnam vet, became a particularly grisly suicide; and now she is witness to her father's brutally spilled blood. What Melissa doesn't know is that her parents divorced because her father came out of the closet, or that her father since then has been entertaining young schoolboys regularly in his bedroom. Was he murdered, then, by the ex-boxer and ne'er-do-well the local cops want to pin the crime on, with a motive of robbery; or was he in fact murdered by the morally outraged father of one of the seduced and sodomized boys—by the same man (now a doctor) who got Melissa pregnant back when she was 15, whose own wife is recently dead of cancer, and in whose bed Melissa now picks things up more or less where they were left off years before? Moral complexities and overtones are bullied aside as Melissa pinballs between the rather staged and public-issue-drenched symmetries of her past and her present. Meanwhile, sent from the state attorney general's office to help investigate the murder is the divorced, world-weary, heavy- smoking Inspector Willard Strand, whose 60-year-old heart is awakened to new possibilities by his willing and bright assistant, the blond, fit, shapely 38-year-old Eleanor. In all, small-town melodrama on an occasionally vivid but generally hyper-familiar stage.

Pub Date: Oct. 1, 1991

ISBN: 0-671-72618-8

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1991

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:
Next book

DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

Categories:
Close Quickview