From poet and short-story writer Wilson (Dancing for Men; Living Alone; Terrible Kisses), a first novel that tries for psychological depth but, in this longer form, lingers on the shoals of formula instead. As luck would have it, Melissa Allen's divorced father is murdered in his house on the very night that Melissa comes home for her 15th high-school reunion in the small town of Scoggin, Maine— to discover her father, in his study, with his skull caved in. This isn't Melissa's first acquaintance with violence and blood. At age 15, she had an abortion (to her it was murder); her own husband, a deranged Vietnam vet, became a particularly grisly suicide; and now she is witness to her father's brutally spilled blood. What Melissa doesn't know is that her parents divorced because her father came out of the closet, or that her father since then has been entertaining young schoolboys regularly in his bedroom. Was he murdered, then, by the ex-boxer and ne'er-do-well the local cops want to pin the crime on, with a motive of robbery; or was he in fact murdered by the morally outraged father of one of the seduced and sodomized boys—by the same man (now a doctor) who got Melissa pregnant back when she was 15, whose own wife is recently dead of cancer, and in whose bed Melissa now picks things up more or less where they were left off years before? Moral complexities and overtones are bullied aside as Melissa pinballs between the rather staged and public-issue-drenched symmetries of her past and her present. Meanwhile, sent from the state attorney general's office to help investigate the murder is the divorced, world-weary, heavy- smoking Inspector Willard Strand, whose 60-year-old heart is awakened to new possibilities by his willing and bright assistant, the blond, fit, shapely 38-year-old Eleanor. In all, small-town melodrama on an occasionally vivid but generally hyper-familiar stage.
Pub Date: Oct. 1, 1991
ISBN: 0-671-72618-8
Page Count: 224
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1991
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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