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THE VICTIM'S DAUGHTER

From poet and short-story writer Wilson (Dancing for Men; Living Alone; Terrible Kisses), a first novel that tries for psychological depth but, in this longer form, lingers on the shoals of formula instead. As luck would have it, Melissa Allen's divorced father is murdered in his house on the very night that Melissa comes home for her 15th high-school reunion in the small town of Scoggin, Maine— to discover her father, in his study, with his skull caved in. This isn't Melissa's first acquaintance with violence and blood. At age 15, she had an abortion (to her it was murder); her own husband, a deranged Vietnam vet, became a particularly grisly suicide; and now she is witness to her father's brutally spilled blood. What Melissa doesn't know is that her parents divorced because her father came out of the closet, or that her father since then has been entertaining young schoolboys regularly in his bedroom. Was he murdered, then, by the ex-boxer and ne'er-do-well the local cops want to pin the crime on, with a motive of robbery; or was he in fact murdered by the morally outraged father of one of the seduced and sodomized boys—by the same man (now a doctor) who got Melissa pregnant back when she was 15, whose own wife is recently dead of cancer, and in whose bed Melissa now picks things up more or less where they were left off years before? Moral complexities and overtones are bullied aside as Melissa pinballs between the rather staged and public-issue-drenched symmetries of her past and her present. Meanwhile, sent from the state attorney general's office to help investigate the murder is the divorced, world-weary, heavy- smoking Inspector Willard Strand, whose 60-year-old heart is awakened to new possibilities by his willing and bright assistant, the blond, fit, shapely 38-year-old Eleanor. In all, small-town melodrama on an occasionally vivid but generally hyper-familiar stage.

Pub Date: Oct. 1, 1991

ISBN: 0-671-72618-8

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1991

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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