The novel tackles important cultural and historical issues but lacks emotional depth.
A Sikh boy from a small African town becomes a global rock star in Michaels’ novel.
Dayal Singh, an Asian Sikh and the son of trafficked parents, grows up in Arusha, Tanzania. When Dayal is a child, someone gives his school a broken piano, which fascinates the boy. Later, he gets a chance to buy a piano of his own and immediately starts taking lessons. His love of music leads him to study the subject as one of his minors in college—he auditions for a music program at a school in Switzerland and gets into the orchestra. At school, he meets Peter van Heusen, Oscar Martinez, and Adam Boulanger; together, they start a band that ends up taking off (“That summer, in eight weeks, we visited forty cities in Europe”). Dayal tries to plan for his future, but his father wants him to marry a Sikh woman. Ever since he was a teenager, Dayal has been in love with Mara Glazer, a Jewish girl eight years his senior and the granddaughter of the man who bought Dayal’s father. As Dayal’s band gets bigger and bigger, he aims to settle down with a partner and agrees to an arranged marriage, but through the rocky next years of his life, his feelings never change—he remains madly in love with Mara. Taking place from the 1980s to the early 2000s, the novel reads like a fictional autobiography. Michaels demonstrates a command of history and provides a detailed look into African and Sikh culture across the decades, but the fast-paced narration only seems to work against this approach. Because much of the story is conveyed as a summary of events, readers may have difficulty forming a connection with any of the characters. Dayal is likely on the spectrum (which is mentioned once and briefly) and identifies as demisexual.
The novel tackles important cultural and historical issues but lacks emotional depth.Pub Date: Jan. 15, 2024
ISBN: 9798218241698
Page Count: 326
Publisher: Self
Review Posted Online: March 29, 2024
Review Program: Kirkus Indie
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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