First in the new ``Portraits of Women Artists for Children'' series, a brief survey of O'Keeffe's life and work. Turner writes intelligently about the evolution of O'Keeffe's distinctive style and subject matter, emphasizing the difficulties women faced in getting an education in art and in being taken seriously as artists at the turn of the century. Biographical details are more cursory but adequate. Illustrated with representative examples of paintings and well-chosen photos. An attractive introduction. (Biography. 8-12)
Pub Date: Oct. 1, 1991
ISBN: 0-316-85649-5
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1991
Hartling's Old John (1990), set in a German milieu evoked with perfectly selected detail, exquisitely demonstrated that the verities of the human condition transcend their setting. Here, a disastrous decision has been made (presumably by the publisher): a gentle story about a ten-year-old schoolboy's friendship with a Polish refugee in his class is completely undermined by pretending that it takes place in America, though almost every incident and detail—e.g., the characters' names, a teacher's assignment, Ben's gift of flowers to Anna's mother on his first visit, even how jobs and housing are acquired—seems European, and is certainly not American. Set in Hartling's homeland (Austria), this would be a quiet but pleasingly warm-hearted story; as it stands, it's an exasperating travesty.~(Fiction. 8- 11)
Pub Date: April 29, 1991
ISBN: 0-87951-401-9
Page Count: 96
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1991
An attractive fourth entry in Turner's ``Portraits of Women Artists for Children.'' Efficiently, the author uses her large (8 1/2'' x 11'') format to outline the most important themes in Kahlo's life and convey the flavor of her work. The 14 beautifully reproduced paintings are a good sampling of styles and subjects, while the many photos are also well chosen. The heart of Turner's text is her discussion of the paintings; whether realistic or surreal, Kahlo's art is powerfully symbolic, and Turner does a good job of relating the symbols to the life. Among vital influences on Kahlo's work, her Mexican heritage and marriage to Rivera are emphasized; thornier issues—Kahlo and Rivera's tortuous relationship, her political beliefs, her lifelong poor health—are merely touched on. Still, a good introduction to this fascinating painter and woman. Commendably, the sources, media, and dimensions of the paintings are all included in their captions. (Biography. 8-12)
Pub Date: April 1, 1993
ISBN: 0-316-85651-7
Page Count: 32
Publisher: Little, Brown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 1993
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