Turner continues her well-regarded series of ``Portraits of Women Artists'' with an introduction to the Caldecott Honor medalist Ringgold, whose picture-book illustrations are a direct extension of her paintings, fabric constructions, and (especially) the vibrant story quilts that powerfully re-create her African-American heritage. In outlining Ringgold's life, the author includes childhood details and b&w photos that will interest young readers, but—perhaps respecting the artist's privacy—doesn't convey her dynamic individuality; but in some detail, Turner explore's Ringgold's ideas, as expressed in her art, including several high-quality color reproductions (fully attributed) plus schematic drawings that identify the figures represented. (Biography. 6-10)

Pub Date: Sept. 1, 1993

ISBN: 0-316-85652-5

Page Count: 32

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1993



A longer—but less interesting—text than the author's Never Kiss an Alligator (1989) and Elephants on the Beach (1990). Introducing both tree and and ground squirrels, with information on how they eat, live, and protect themselves plus some appealing bits on baby squirrels, the pedestrian text begins, ``Squirrels are furry, bright, lively little animals that are very busy,'' and concludes, ``Good night, busy squirrels, good night.'' The many appealing, colorful close-up photos are the best feature here. Index. (Nonfiction. 6-8)

Pub Date: May 1, 1991

ISBN: 0-525-65063-6

Page Count: 32

Publisher: Dutton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1991



Sellier (Matisse from A to Z, 1995, etc.) has created another succinct biography told in ABC form, by matching one relevant French word to an aspect of the artist's life (Bulles for bubbles, as well as Ubu and Winterthur). Unlike the art of Matisse and Monet, Bonnard's work hasn't been replicated to an excess; perhaps that's why his paintings seem such a breath of fresh air. A friend of Vuillard and Roussel, Bonnard was included in a group of artists called the Nabis (the Hebrew word for prophet), who believed everything should be a work of art. Bonnard put this theory to practice, painting on fans, room screens, and dressers, as well as canvas. His work often portrayed domestic subjects—children, pets, and his wife, Marthe. From such details, Sellier arranges a touching homage to a painter whose brush recorded the many crucial details necessary to create un petit monde—the ``small world'' that was Bonnard's definition of a painting. (Picture book. 7-10)

Pub Date: Feb. 1, 1998

ISBN: 0-87226-479-3

Page Count: 60

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1997

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