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ROVER SAVES CHRISTMAS

Combine one talking dog, Santa Claus, his reindeer Rudolph, who has the flu, lizards that change their names to fit a climate, four children, and a variety of talking objects and appliances; add an irreverent tone and cheeky style, and presto: a nonsensical and nonlinear story based on the belief in Santa. Rover (The Giggler Treatment, 2000) subs for Rudolph and with the aid of the aforementioned, the race is on to get all the presents delivered in time. Kids ingrained with Saturday morning cartoons may find this hilarious but the irreverence, bathroom humor, illogic of constant interruptions (labeled as such) in the narrative, and admonishments like Warning directed to the reader will be tiresome to adults. The one sentence of Chapter Six claims: “I don’t want to be Chapter Six.” Constellations are named “Teacher’s Armpit” and “Monkey’s Bum.” Pop references and British terms abound, such as mad cows, Guinness, nappies, Rover Bond (as in James), and, of course, Harry Potter. A glossary offers smart-alecky explanations. Major promotion will hype the seasonal aspect and the large type and brief chapters may lure fans of Doyle’s “poo-on-shoe” humor. This spoof on Christmas needs to restring its lights to make it less dependent on the distracting gimmicks and silly devices and focus on the goofy, outlandish appeal of a talking dog leading Santa’s sleigh across the world. (Fiction. 8-11)

Pub Date: Nov. 1, 2001

ISBN: 0-439-30530-6

Page Count: 160

Publisher: Scholastic

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2001

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MERRY CHRISTMESS

From the Clementine Twins series , Vol. 1

Centers on a cute, evergreen premise but suffers from minimal character development.

Some say that Christmas is the happiest time of year—but that’s not true for Jordan and Stevie Clementine.

The 10-year-old fraternal twins face yet another fractured holiday with not even a Christmas tree in sight. Their parents, born Billy Clement and Sam Valentine, dated briefly but never married and, as friends, have raised the girls, even taking on their melded last name. The sisters dream of a Christmas with all four Clementines together, singing carols and playing games, but musician Billy is on tour much of the year, and community center director Sam is especially busy with work around the holidays. The white-presenting girls spend each Christmas with their dad in the shabby family-owned motel, along with their uncle, aunt, and 15-year-old cousin (who ruined last Christmas by revealing the truth about Santa). This year, Stevie and Jordan hatch plans to get their parents to remember past happy Christmases and want to spend the holiday together. Fortuitously for the twins, a flood from a burst pipe at the local dog shelter brings dogs to the motel—leading cynophobic Billy and the girls to stay with Sam. The snowy, small-town Saskatchewan setting feels authentic, with many cultural details that add interest; however, the girls’ dual narrations are difficult to distinguish despite their opposite and rather one-note personalities and the supporting cast is similarly two-dimensional. Musician Quin’s solo debut, a series opener, features festive spot art by Ollerton.

Centers on a cute, evergreen premise but suffers from minimal character development. (Fiction. 9-11)

Pub Date: Sept. 1, 2026

ISBN: 9780374392345

Page Count: 288

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 15, 2026

Kirkus Reviews Issue: July 15, 2026

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GINGERBREAD BABY

In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)

Pub Date: Oct. 1, 1999

ISBN: 0-399-23444-6

Page Count: 32

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 1999

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