A gripping, blisteringly honest examination of issues too long swept under the rug.
Paula Spencer returns, with the demons of her past lurking everywhere around her.
Charlo, the abusive husband who drove her to alcoholism in The Woman Who Walked Into Doors (1996), has been dead for years, and the shaky sobriety chronicled in Paula Spencer (2007) is long-standing, but the damage inflicted by the beatings and the binges is still with Paula at age 66. The fallout is most evident in Paula’s eldest, Nicola, who spent her childhood dealing with a drunken mother and chaotic household. Having worked her way into middle-class respectability, with a gentle husband and three girls, she still acts as though she must take care of Paula, and she still furiously resents it. Simmering tensions between the two, well laid out in the novel’s leisurely opening chapters, are exacerbated by the Covid-19 lockdown and come to a head when Nicola storms into Paula’s house declaring, “I’ll kill them.” A glimpse of her brother-in-law ogling her 15-year-old daughter has brought back memories of the look at Nicola that prompted Paula to violently drive Charlo from their home—but not, Nicola bitterly tells her now, before several incidents of inappropriate comments and touching. Years of rage come pouring out of Nicola, and Doyle unsparingly reveals Paula’s angry thoughts in response: Did her daughter not know how many times she stood between Charlo and her kids, how many broken bones sent her to drink as a pain reliever? Doyle is no fancy stylist; he excels in the singing speech of ordinary people that reveal the seething emotions underneath. There’s no feel-good resolution here, simply the will to go on and the understanding that the bonds of familial love may buckle but can never be broken.
A gripping, blisteringly honest examination of issues too long swept under the rug.Pub Date: Sept. 10, 2024
ISBN: 9780593831687
Page Count: 272
Publisher: Viking
Review Posted Online: Aug. 29, 2024
Kirkus Reviews Issue: Oct. 1, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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