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AWAKENING OF THE TWELVE—PART 1

THE TORCH SERIES: TRILOGY OF THE TITAN TWELVE

Though it abandons its initial intensity, this story showcases a welcome union of singular characters.

An enigmatic and diabolical ancient cult pursues a group of exceptional, multiethnic teens around the globe in this second installment of a fantasy series.

Twelve teenagers, each born in 2070, form the U.S. Titan Twelve. The talented teens competed as a team in the International Titan Games and won numerous gold medals. Now they’re celebrating with a planned vacation of visiting their ancestral homelands, countries ranging from Ghana to Italy. Sadly, there’s trouble before they even leave Thessaloniki, Greece, where the games were held. Lalitha Alexandra Gupta awakens early in the morning to the realization that Helena Maria Martin didn’t return from her late-night walk with Kofi N’Kosi Mark Annan. Equally shocking are Helena’s pleas for help, which Lalitha hears in her head, as do the other four Titan girls: Abena Ashanti Marie Richardson, Immanuela Rachel Abravanel, Fredrika Kathleen Johansson, and Wei Susan Wang. The boys (Humberto Matthew Santiago Fernandez Ramirez, Petrov Robert Vasiliev, Olis Joseph Kaiser, Zeno Thomas Theophilus, and Omari Samuel Hassan) inform the girls that N’Kosi is also missing. Using the girls’ newfound telepathy, signified by white color patterns in front of their eyes, they track down their friends. The group confronts menacing hooded individuals and discovers additional powers, like generating a telekinetic energy field. Helena and N’Kosi are fine, and Ashanti surmises that the abductions were some type of warning, verified later when they receive a cryptic note. They begin their world-trekking vacation, but it’s soon clear the kidnappers, who decree themselves the Dark Acolytes, are stalking them. As the cult’s objective is unknown, the Titans decide to get answers by using their special abilities combatively rather than as mere defense. Porter’s (Rise of the Twelve, 2016) series is essentially an origin story for superpowered teens. It’s engrossing to watch them slowly acquire abilities, which include levitation and a distinctive color pattern for each (telekinesis is blood red). Likewise, the Titans are still learning, as powers seem to emerge under stress and aren’t readily accessible. Nevertheless, the novel’s genuine focus is its potpourri of characters, featuring diverse lineages. This makes for a culturally rich narrative, as the Titans travel to different countries and experience the nations’ food, histories, and landmarks. Furthermore, it’s an opportunity to display the story’s late-21st-century technology, like spaceports, with shuttles flying in the high end of the stratosphere. Porter molds the Titans individually, not just their backgrounds, but their personalities as well. Witty Ashanti, for example, upon arrival in Rome, claims that the Italian-speaking captain (an android-esque Humanoid Intelligence unit) asks if she is a movie star. The unfortunate downside to the extensive global tour is that it sidelines the book’s thriller aspects. The opening kidnapping is rife with anticipation, as the Titans race to save Helena and N’Kosi. But the Dark Acolytes subsequently make only sporadic appearances for much of the novel and rarely engage the Titans, so the suspense gradually wanes. There’s plenty left for the second part of Book 2, however, as the vacation is nowhere near completion and the cult’s eventually revealed sinister purposes will be an unmistakable threat.

Though it abandons its initial intensity, this story showcases a welcome union of singular characters.

Pub Date: Aug. 30, 2018

ISBN: 978-0-9911467-5-8

Page Count: 505

Publisher: CreateSpace

Review Posted Online: June 8, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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